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Watch: Above & Beyond’s Group Therapy 050 Aftermovie

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Above & Beyond have released the official aftermovie for their 50th Group Therapy episode, which they held at London’s Alexandra Palace back in October. With over 10,000 people in attendance and millions tuned in around the world, it is clear how monumental this event was for the DJ/producer trio. The episode also celebrated Above & Beyond’s 500th radio show ever counting the episodes of their previous Trance Around the World series.

The aftermovie features the group’s new track “Mariana Trench,” named after the deepest part of the world’s oceans, set to video highlighting their special two-hour set as well as backstage interviews with fans. Above & Beyond are known for their loyal fanbase, with one girl in the video even exclaiming, “The first time I saw Above & Beyond, I felt like I touched God.”

Listen to Above & Beyond on Pulse Radio


Watch: Epic Mashup of 68 Hit Songs From 2013

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Daniel Kim is back! He’s just released the 2013 edition of his famous mashups combine together tens of top tracks from the year. This time, the mashup contains 68 different songs from the likes of Calvin Harris, Bauuer, A$AP Rocky, Ellie Goulding, Jay Z, Katy Perry, Lorde, and more, which are carefully interwoven into genius. There are a lot of these mashups that pop up around this time of the year but this one is much better than what we’ve been seeing so far.  Check out the full list of songs below!

Songs in Pop Danthology 2013:
Anna Kendrick – “Cups (When I’m Gone)”
Armin van Buuren feat. Trevor Guthrie – “This Is What It Feels Like”
A$AP Rocky feat. Skrillex, Birdy Nam Nam – “Wild For The Night”
Avicii – “Wake Me Up”
Avril Lavigne – “Here’s To Never Growing Up”
Bastille – “Pompeii”
Bauuer – “Harlem Shake”
Bingo Players feat. Far East Movement – “Get Up (Rattle)”
Britney Spears – “Ooh La La”
Britney Spears – “Work B**tch”
Bruno Mars – “Locked Out Of Heaven”
Bruno Mars – “Treasure”
Bruno Mars – “When I Was Your Man”
Calvin Harris feat. Ayah Marar – “Thinking About You”
Calvin Harris feat. Ellie Goulding – “I Need Your Love”
Capital Cities – “Safe And Sound”
Daft Punk feat. Pharrell Williams – “Get Lucky”
Demi Lovato – “Heart Attack”
Drake feat. Majid Jordan – “Hold On, We’re Going Home”
Drake – “Started From The Bottom”
Ellie Goulding – “Burn”
Icona Pop feat. Charli XCX – “I Love It (I Don’t Care)”
Imagine Dragons – Demons
Jason Derulo – “The Other Side”
Jay Z feat. Justin Timberlake – “Holy Grail”
Justin Timberlake – “Mirrors”
Justin Timberlake feat. Jay Z – “Suit & Tie”
Katy Perry – “Roar”
Kelly Clarkson – “Catch My Breath”
Ke$ha – “C’mon”
Ke$ha feat. will.i.am – “Crazy Kids”
Krewella – “Alive”
Lady Gaga – “Applause”
Lana Del Rey – “Summertime Sadness (Cedric Gervais Remix)”
Lorde – “Royals”
Macklemore & Ryan Lewis feat. Mary Lambert – “Same Love”
Macklemore & Ryan Lewis feat. Ray Dalton – “Can’t Hold Us”
Maroon 5 – “Daylight”
Maroon 5 – “Love Somebody”
Martin Garrix – “Animals”
Martin Solveig & The Cataracs feat. Kyle – “Hey Now”
Miley Cyrus – “We Can’t Stop”
Miley Cyrus – “Wrecking Ball”
Naughty Boy feat. Sam Smith – “La La La”
One Direction – “Best Song Ever”
One Direction – “Story Of My Life”
OneRepublic – “Counting Stars”
OneRepublic – “If I Lose Myself”
Passenger – “Let Her Go”
P!nk feat. Nate Ruess – “Just Give Me A Reason”
Pitbull feat. Christina Aguilera – “Feel This Moment”
Pitbull feat. Ke$ha – “Timber”
Pitbull feat. TJR – “Don’t Stop The Party”
PSY – “Gentleman”
Rihanna – “Pour It Up”
Rihanna feat. David Guetta – “Right Now”
Rihanna feat. Mikky Ekko – “Stay”
Robin Thicke feat. Kendrick Lamar – “Give It 2 U”
Robin Thicke feat. T.I., Pharrell Williams – “Blurred Lines”
Selena Gomez – “Come & Get It”
Selena Gomez – “Slow Down”
Taylor Swift – “22”
Taylor Swift – “I Knew You Were Trouble”
will.i.am feat. Britney Spears – “Scream & Shout”
will.i.am feat. Justin Bieber – “#thatPOWER”
Ylvis – “The Fox (What Does The Fox Say?)”
Zedd feat. Foxes – “Clarity”
Zedd feat. Hayley Williams – “Stay The Night”

Listen to Calvin Harris on Pulse Radio

Big Day Out CEO Adam Zammit: “Artist fees take up 80% of a festival’s budget”

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Australian festival bosses went head to head yesterday in an affectionate show-down on the “Booms, Busts and Bidding Wars” panel at the Electronic Music Conference in Sydney, sharing some interesting insight into somewhat contentious issues within the festival market.

Big Day Out CEO Adam Zammit provided much of the comic fodder for the panel, conceding that “our industry can be fucking retarded when it comes to the way we co-ordinate,” but admits with some price collusion, “we’d all be better off”.

However when the issue of ticket pricing re-surfaced, the panellists seemed unable to agree. While Simon Coffey of Q-Dance Australia predicted further inflation due to a drop in the Australian dollar, Future Entertainment Director Jason Ayoubi said that festivals are “probably guilty of pushing that limit” when it comes to ticket pricing.

However it was Adam Zammit who disagreed with both Coffey and Ayoubi; “…the market tells you what (they) want to pay. This industry is not guilty of profiteering through ticket prices.”

Constantly increasing artist fees were also raised, which Zammit said takes up on average 80 per cent of a festival’s budget, with Australia’s isolation as a contributing factor, something which is often played on by overseas agents.

“(Agents) know we’re a feverent, competitive bunch of arseholes down here and God knows they prey on it,” said Zammit.

While Australia is often criticised as having too much government interference when it comes to festival regulation, SFX Totem CEO Richie McNeill commented that upon attending Electric Zoo in New York earlier this year, where a punter unfortunately passed away, “the US is 10 years behind us in safety standards”.

The panellists all agreed that their 10-15 years of experience in an “over-regulated market” should be shared with new overseas festival markets in the US.

What do you think? Do you agree with Australia's festival honchos?

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Future Music Festival Asia Announces Massive 2014 Lineup

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Future Music Festival Asia is returning to Kuala Lumpur in March with a mammoth lineup of some of the biggest names in electronic music, pop and hip-hop including Deadmau5, Paul Van Dyk, Macklemore & Ryan Lewis, Method Man, Ghostface Killah, Baauer and Eric Prydz.

Slated as Southeast Asia’s biggest music festival ever, the spin-off from the popular Ausssie festival will expand to three days in 2014 with an expected audience of more than 55,000. The theme for next year’s mega event is ‘Safari’ and punters are urged to come decked in their most inspirational Safari themed outfits.

“I believe we have got a phenomenal line-up and I don’t think Southeast Asia, let alone Malaysia has ever witnessed a gathering of musical talents in a single event of this proportion and scale," says Director of Future Music Australia, Jason Ayoubi.

You can check out all the action from last year plus the full 2014 lineup below.

Future Music Festival Asia Full Lineup
Adventure Club
Armin Van Buuren
Arty
ATB
Baauer
Brodinski
Carnage
Chase & Status (LIVE)
Deadmau5
Deniz Koyu
Eric Prydz (First Ever Asian Appearance)
Gesaffelstein (LIVE)
Ghostface Killah of Wu Tang Clan
Knife Party
Macklemore & Ryan Lewis
Marcus Schulz
Method Man of Wu Tang Clan
Monsta
Naughty Boy
Paul Van Dyk
Porter Robinson
Raekwon of Wu Tang Clan
Rehab
Rudimental
Sub Focus (LIVE)
Tinie Tempah
+ more to be announced soon

Local acts:
2db
Anowl
BATE
Basement Syndicate
Bunga
Dangerdisko featuring Datuk Sheila Majid
Deer Society
Goldfish +Blink
H3
Mr.Nasty and GuruGuru
Raising the Bar
Tubby
Xu
+ more to be announced soon

Tickets are on sale here.

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Strawberry Fields 2013 In Review

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Celebrating its fifth year, Strawberry Fields has become somewhat of an institution, bringing quality, diverse international DJs as well as local talent to a beautiful bushland setting on the border of Victoria and New South Wales. Morgan Richards and Ben Muller went bush to check out the action.

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Ah, Strawbs, we missed you. Was it only a year we were apart? It felt like ten. But finally we were back, clutched in your leafy bosom, and all was well again. Arriving on site, we were first drawn to the enormous bamboo mainstage - almost doubling as an art installation in itself. This thing looked tough enough to withstand an attack from a hungry band of giant pandas and provided the centrepoint for the madness of the three days to follow.

A big mention must go to the extra effort that Strawberry put into the art and decor side of things this year. Lighting installations made from reclaimed plastic bottles and other detritus, billowing white sheet-like sculptures haunting the gum trees at night and a dozen easels upon which a dozen artists live-painted their works over the festival were just some of the artistic touches around the festival.

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Friday afternoon seemed to pass in a cheesy haze of nu-disco and over-the-top Euro summer house. Still, most people were yet to arrive, and it was clear from a glance of the program that Strawberry were saving their best treats for last. Friday night seemed deliberately scaled back, with the mainstage programming ending at 3am. It was a wise move, giving punters a slight push towards pacing themselves over the course of the festival rather than going all out on the first night.

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One of the night's highlights was Avatism. With a recently released album under his belt, the Italian house expert took over the main stage with sophisticated dark and deep tunes that carried into the middle of the night. Psytrance legends GMS kicked off the festival's nightly post-1am psychedelic marathon, with a set that picked up the crowd and carried them straight into the stratosphere. This was classic psy at its finest, with a few cheeky treats like 140bpm renditions of 'Smells Like Teen Spirit' and 'Message in a Bottle' thrown in for good measure. Closing the stage that night was KiNK. The ebullient Bulgarian bounced around the stage with his characteristic enthusiasm and played a high-energy set, with Existence drawing a particularly good crowd response.

kink

At the mainstage on Saturday (and again on Sunday), Child performed exceptionally in the lead-up to the big-hitters Microtrauma and Extrawelt. Coming off the back of an amazing set at ACT festival Dragon Dreaming only a few weeks ago, it was fantastic to see so much support for a rapid grower in the Australian techno community. In many ways it was better than the giant, Microtrauma, who through a combination of dodgy sound setup and apparent lackluster enthusiasm, left many punters feeling underwhelmed.

The duo that is Extrawelt did nothing less than completely overwhelm the crowd with a dark, screaming, industrial performance. Despite some early sound hiccups which had us holding our breath, the German techno wizards did not disappoint in the slightest and missed no marks as they piled layers of sounds upon sounds in a beautiful live set. They were grating, harsh, terrifying yet beautiful and melodic, and it was like frenzy in a slaughterhouse as thick slices of fat synths flew low and hard over pulsing people stomping through the dust. Finishing with an epic rework of 'Windshatten', Extrawelt left everyone in their wake feeling dazed yet satisfied.

extrawelt

Meanwhile the Deep Jungle stage, Shigeto was loosing his warbling Brainfeeder-esque beats upon a hypnotised audience. People grooved and swayed back and forth to the delectable sounds. Then Shig opened the "trap door" and hauled out a huge swag, rolling it out under the night sky and enveloping everyone in a thick blanket of bass. The stage itself was an excellent work of art, built of wood and bark and other bits of nature fashioned into a little shaman nook. The minimal lighting left the focus on the beautiful craftsmanship. After Shigeto, Djrum expertly stitched together an hour and a half of bass, old garage and exotic alien dubs. Watching him mix was like watching slow, bright lava streams converging on a mountainside. Such dubs. The Englishman played with nary a glance to the enthralled crowd, engrossed in his work like a machinist at the lathe.

djRUM

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Those that made it out of their tents early enough (and those who'd powered through the all-night psytrance marathon on the mainstage) were energized by the uplifting and upbeat progressive sounds of Grimez as they warmed up to the day. Sunday morning was perfect for those enjoying a coffee or a beer, with Owen Howells and Luke Neher playing beautiful relaxed house and techno at the Electric Nectar Bar, while OOF Sessions helped everyone wake up and get their feet moving again with a morning of ideal summer daytime beats.

strawb3

Back at the mainstage, the festival had reached its sunny peak. The dust kicked up by a solid weekend of dancing seemed to hang in the air. Hippies put their scarves over their mouths to beat the dust, and end up looking like tie-dye gangsters. Beautiful girls with bumbags wandered around selling frozen young coconut water to the thirsty dancers. The sprinklers overhead rained down cooling mist, creating tiny rainbows everywhere. Moodymann turned many a head when the unmistakeable harpsichord of Teardrop was joined by his own live vocals. Dressed like the locals — that is, with a dust-proof bandit mask around his face - the Detroit legend played an excellent set of sunny afternoon disco jams and slow house groovers.

moody

At the Deep Jungle stage, Jacob Korn mixed classic house cuts until festival favourite Tinman took over. The reserved acid-wrangler set up towards the back of the stage, staying out of the spotlight and letting his warbling acid hooks draw the crowd in. Looking around the dancefloor, you could see all manner of folk — stern-faced techno nerds, rave kids in bedecked in retro day-glo, nang pixies with coruscating crystal pendants and blue dreads, dirt-caked wildmen kicking around inflated goon bags like soccer balls — all getting down to the strange beautiful sounds of the Roland TB-303. It was the melting pot of Strawberry at its finest.

Later, after John Tejada had brought the mainstage to a graceful close with his melodic house vibes, several afterparties sprang up around the festival and the music continued well into the next morning. A lot of people were going to miss work on Monday.

CDJ

As the sun rose and the heat set in again, campers packed up their tents, gathered their belongings and began the drive back to snivilisation. It had been good, it had been damn good. But, like every other time, it was over too soon. We've become so removed from this essential thing - the basic, primal act of dancing in the bush to the sound of drums — that when we do it, we have to go all out. We bring huge towers of sound and dizzying arrays of lasers out into the wild, take the modern-day powdery equivalents of our ancestors' shaman sacraments and let our minds off the leash for a few days and nights. It's bliss, and some of us live for it. Thank you, Strawbs. Until next year.

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Jamie Jones & Lee Foss Play The Spice Cellar Tonight

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Just when you thought EMC week couldn't get any bigger, Sydney's The Spice Cellar is gearing up for a night of rather epic proportions this evening with a Hot Creations takeover, which will see label co-founders Jamie Jones and Lee Foss - currently on tour with Stereosonic - hit the decks for a night of quality house music. The pair will be joined by Luca Cazal from Hot Natured and Infinity Ink.

The night kicks off at 10pm and pre-sales have already sold out like hot cakes. Tickets will be available on the door, though a little word of advice; get down there early, for the line is expected to be, erm, rather large.

Listen to Pulse Radio

YouTube Strips Billions of Music Industry Video Views After Discovering They Were Fake

Free Downloads: Kaskade Remixes 4 Holiday Classics

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For most of us, it just wouldn't be right if we didn't have a little bit of electronic music mixed into our holiday fun. So thankfully, Kaskade has offered up a few very nice chill-out and downtempo remixes of holiday classics to make sure we don't skip a beat, even while unwrapping a gift or two. And of course, this being the holidays and all, they are all available for free. Listen and download here.

 

Listen to Kaskade on Pulse Radio.


On Tour with Rodriguez Jr. is Matt Blitz

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Meet Matt Blitz, with a passion born out of the Jozi underground warehouse scene, Matt’s involvement in electronic music is as diverse as the sets he plays. Having played the role of promoter, DJ, and now both currently as one half of the BASSMINT nights, his appreciation for all facets of the scene makes his sound a welcome addition to any line-up. With a deeper leaning in his sound, his broad tastes mean you’ll hear anything from Disco to Techno, expertly woven into a journey you won’t hear anywhere else. Catch him this Friday the 6th of December at the Land Bank in Cape Town. Tickets available here and more info on the event here.

Listen to Pulse Radio 

 

'Enough Ketamine To Knock Out 3,000 Men'

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Two men were arrested last week, charged with possession of nearly half a kilogram of ketamine, worth £14,500, as well as 43.1g of cocaine, valued at more than £2,000, or enough ketamine to knock out 3,000 men.

Alister Semmens, 34, and Jay Daniel, 28, appeared at Truro Crown Court on Friday to be sentenced in connection with a series of drug offenses. Semmens, of Heatherbell Gardens, Carbis Bay, later admitted to possessing the drugs with the intent to supply them to another person.

"It's actually a horse tranquilliser and it's being more and more regularly used as a recreational drug," said Detective Constable Dave Stamp, the police officer in the case. "But has massively adverse effects on the human body."

"After just a short usage of a couple of months it can destroy the bladder."

"In this case, Semmens had enough ketamine in his possession to anaesthetise 3,204 average-weight males, which could have had quite a devastating effect on people in west Cornwall," Detective Constable Stamp said.

Read more at thisiscornwall.co.uk.

Listen to Pulse Radio.

Culoe De Song’s highly anticipated album ‘Exodus’ in full Review

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Culoe De Song (Born, Culolethu Zulu, from Kwa-Zulu Natal) started producing beats around late 2006. “100 Zulu Warriors” (Featured on Black Coffee’s second offering, “Have Another One”, 2007) and his involvement with the Red Bull Music Academy (Barcelona, Spain in 2008) would be what, I would say, launched this Afro-groove arsenal to the respected producer and DJ he is around the globe today. 

I have pretty much loved most, if not all of Culoe’s releases. From singles like “The Fallen Siren,” “The Bright Forest” and not forgetting the well-received “Webaba EP” that featured the late virtuoso Mama Busi Mhlongo. Culoe just recently dropped his third studio album, his first and second respectively “A giant leap” and “Elevation,” were received with utmost jubilation.  “Exodus”, the highly anticipated superlative gamut offering contains a broad selection of musicians and vocalists, giving this offering a relative full rich texture of Afro-Deep House.

Go to Culoe's label Soulistic Music to download the full album: Soulistic Music 

Exodus, which by the way works equally well as an intro to the album and as a crispy summer day’s tune that succinctly covers all the salient points of a true tribal hit. Succulent chords, variable drum programming layered faultlessly with groovy percussions and Culoe’s uncanny (signature of) ancestral vocal chants placed and pitched perfectly; they have such an ushering effect you almost feel at home.

My Sunshine ft. Soulstar, the musical composition, and Soulstar (Soulistic music’s vocal avante-garde)’s vocal arrangement is so rhythmically coupled, absolutely breathtaking. Soulstar vocally encapsulates the music with such ease (laced with perfection) and never overwhelms Culoe’s rather soulful yet afro-touché. In all cases of this massive love tune I cant help myself but spell it a definite “Ladies tune”!

Ma Afrika ft. Shota, the driving pound of the drums with edgy percussions, groovy Zulu-warrior chants, epic strings, the musical accents that emphasizes an ingeniously composed and well arranged musical piece, absolutely has all the bells and whistles of being a hit single if not the anchor-track of “Exodus”. Shota profoundly delivers a sad message of a tormenting fact in Mzansi that is school kids killing each other on school grounds and Africans killing each other remorselessly! The vocal elixir holds the melody and tonality with such professionalism there is no fear of syncopating this masterpiece.

No Contest, a raw-afro musical piece that oozes a Tribal-House calamity. The solo lead-guitar’s treatment, modulation, and progression will leave you utterly breathless. The epic chord build up during the break takes you to a level where bopping your head or stomping your feet is not enough but rather to you feel like you need to get down and shake it hard on the dancefloor. Tune purely made to make you move with no doubt, Tune!

Other tracks to pay attention to:  Run Away ft. Kabomo & Moneoa, Journey of Love ft. Thandi Draai, Lovin' Marvin ft. Feat. Happy. As Culoe remarks from a profound Zulu saying “Umuntu Ngu Muntu nga Bantu - A Person is a person through other People”. He is truly a people’s person in all spheres of the arts and life!

Listen to Culoe De Song on Pulse Radio

 

Nights In Transition

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Flux

What's been the most fun party you've done outside of your usual club? Without a doubt our boat party at Dimensions Festival in Croatia this Summer. We were helped by the fact it took place on the first day of the festival, so the energy was high from the start, but none of us were prepared for the complete mayhem that ensued as the afternoon wore on, and I think we were pretty lucky it didn’t sink. It was the standout highlight for us of an amazing festival.

What lessons did you learn early on? We learnt many lessons in our first year throwing parties, but perhaps the most important one was realising that parties are not made by simply putting on quality line-ups. It’s just as important to focus on building an atmosphere and a core crowd, and in many ways focusing on the small details and little tailored features are what crowds really appreciate.

Have there been any examples of when it's been especially hard work to get the party out there? In Leeds, where a large proportion of our target crowd are students, we are inevitably slightly at the mercy of the student loan instalment cycle. At certain times of year, when many of these loans have all but evaporated, in can be hard to get an event out there and get the ball rolling, but we have always tried to respect this and keep our ticket prices as low as is feasible.

Is there a particular DJ or promoter that you'd recommend always having with you? We interviewed Ralph Lawson as part of our ‘DJ Diner’ series a few months ago, and I think we’d be pretty pleased to have his Japanese culinary wizardry at our disposal for our da-to-day lunches in the office, or anywhere else for that matter!

How do you differ your sets when playing outside than in the club?  Day time sets are my favourite. It’s a great opportunity to spin more eclectic music, rather than underground and club orientated music and whip out a few classics. Carrie Lucas’s ‘Dance with You’ is somewhat of a Flux anthem now after summer.

Have you ever had experiences where the party may not have gone as well as it could have due to unforeseeable circumstances? We recently had Todd Terje cancel a gig with just 2 days notice due to his wife going into premature labour. However, after a mad scramble speaking to the agents we work with most regularly, we managed to draft in two great replacements and the event was ultimately a resounding success. Just another example of why it’s good to have the agents on your side!

What's been the most outrageous thing you've seen? Without going into excessive detail, a wrong turn on the way to find the toilets in Berghain resulted in us witnessing a lot of skin and leather in various compromising positions that I’m not sure I’ll ever be able to forget!

What are some of the experiences that make it worth it? At the risk of sounding a bit cheesy, looking out at a sea of euphoric faces during a particularly magical moment of a night you put together is about as rewarding as it gets. The fact of the matter is that it’s the DJ that creates those moments, carefully manoeuvring the crowd to a climax, but it’s a great feeling to think we had a small part in bringing all these people together.

And any experiences that don't? Inevitably, and as with any job, from time to time you have to deal with difficult people who are evidently in the industry for the wrong reasons. Although such experiences are pretty frustrating, it’s really par for the course in working life, and those frustrations are completely eclipsed by the rewarding experiences mentioned above.

Troublevision

What's been the most fun party you've done outside of your usual club? The boat parties we've done at Stop Making Sense in Croatia have always been epic. Usually manned solely by our residents, there have been some seriously rowdy moments. On deck sit-downs, men over board, Prosecco flying… They're always ones to look forward to.

What lessons did you learn early on? Only book artists you’re genuinely into and don't lend yourself to trends to much. It’s a much harder job when your promoting an event your heart’s not really into. And trends change. You don't want to be left high and dry when they inevitably do.

Have there been any examples of when it's been especially hard work to get the party out there? No event is straightforward. Over the years I’ve put on line-ups for parties I’d expect to be sure-fire sell outs, and for one reason of another it just hasn't happened. It’s essential to be up to date with online social networks and how they function. Websites like Facebook, for example, change their functionality almost weekly, so a tactic that works for one event may well not apply for the next.

Have you ever had experiences where the party may not have gone as well as it could have due to unforeseeable circumstances? Nope, thankfully not! Other than the weather, but guess you just have to take that as part of the game.

What are some of the experiences that make it worth it? It’s always that feeling at the peak of a night when your standing at the back watching the party go off that genuinely makes all the stress worth while. I can’t imagine I’ll ever get bored of that, and it certainly trumps the feeling when a party doesn't go so well!

And any experiences that don't? I suppose putting together a lineup that your personally 100 percent behind, and it just not having the appeal that you thought it would can be pretty disheartening. But generally the positives out weigh the negatives each and every!

Just Jack

What's been the most fun party you've done outside of your usual club? There have been some amazing parties over the years that stick with me. We used to run after parties in a grubby little pub called the Old Fox Inn (nicknamed the ‘crackfox’) after our Motion events. These were wild, although they became a victim of their own success. We had to stop doing them when it became so busy that one morning we couldn't even get in to DJ! Other notable parties from last summer were our party at Barbarellas for Garden festival in Croatia, and hosting the Space Terrace for We Love... Both venues were a dream come true for us. Amazing sound and vibe all night long!

What lessons did you learn early on? Bunting makes a bland ting fun ting.

Is there a particular DJ or promoter that you'd recommend always having with you? I’m a bit biased really, but I have to say it is an honour to work with Tom Rio. He is a phenomenal and very versatile DJ. He always knows just how to play it. He can warm it up just right for anyone and tear the roof off it at the end of the night. Plus he knows how to put up a bit of bunting!

How do you differ your sets when playing outside that in the club? I think being a resident at Just Jack has made me more adaptable. Warming up and following a diverse selection of house DJs means you have to be able to adapt your style and think on your feet. With regards to records which have worked really well at a specific time, a couple spring to mind from the closing set at our Just Jack party at Garden festival in Croatia last summer. I was playing in an open-air club and the sun had just risen. The place was still going nuts, and I opened with Joe Montana’s ‘The Ship.'

That was a very special moment I wont forget in a while.

What's been the most outrageous thing you've seen? Oh god, I’ve definitely seen some sights over the years. A personal highlight from last summer was going backstage after our set at Space to find my friend soaking wet (for some reason he had just had a shower with all his clothes on), crouching on a table and leading a group of people in some sort of mystical chanting. I took one look, closed the door and left them too it.

What are some of the experiences that make it worth it? I have met some amazing people, and great friends through this line of work! Oh, and getting to play in some of the worlds best clubs isn’t too shabby!

And any experiences that don't? Nope! It’s definitely worth it!

Real Nice Presents

What's been the most fun party you've done outside of your usual club? We don’t usually stick to any one space for our parties. One of my personal favourites would have to be when we took over a car park at the heart of Notting Hill Carnival for a party during the daytime, and followed it up with a big after party in a nearby club. We were pretty lucky with the weather, and naturally everyone is up for having a good time at Carnival!

What lessons did you learn early on? Plan everything down to the finest detail, as often problems out of our control can crop up in this industry. You just need to be quick thinking to get through it. On one occasion we had the wrong mixer for Aeroplane at one of our parties, which led to a frantic cab ride across London to collect the correct one for him to play his set!

Have there been any examples of when it's been especially hard work to get the party out there? In the early days it was definitely more of a challenge as we were a little wet behind the ears, and we were still in the process of building a name for ourselves.

Is there a particular DJ or promoter that you'd recommend always having with you? Having our whole team is crucial to our parties being a success, as we work as a unit. As far as DJs go, all of our residents know how to rock a party in their own right. As well as being great DJs, we’re lucky to have some really talented producers in our crew, like Benedict Jackson, Croz, Krywald and Cashback.

How do you differ your sets when playing outside that in the club? It really depends on time of day, the rest of the line up and the vibe of the party. Obviously if we were playing a summertime terrace party with a big disco line up, we wouldn't play a tear-out techno set! I think a lot of the time it’s just about reading what is going on. As there are two of us we can talk and make decisions about what would be best to play at that moment if it’s a tough gig.

Have you ever had experiences where the party may not have gone as well as it could have due to unforeseeable circumstances? Bad weather is never ideal for getting people in the mood and can be a bit of a party killer. You never know with the British winter. I’ve played at parties where the headliner couldn’t make it due to the snow!

What's been the most outrageous thing you've seen? You see quite a lot of outrageous and adventurous outfits at our parties! There tends to be a bit of an ‘anything goes’ festival vibe. Check it out for yourself on Dec 13th at Loft Studios at our next party!

What are some of the experiences that make it worth it? Booking DJs we really like before they are well known and then seeing them blow up to become big names is always a good feeling. For example Hot Since 82 and Finnebassen. Festival season is great fun, as we host and play at a lot of different festivals over the summer. These are often the inspiration for a lot of our parties for the remainder of the year.

And any experiences that don't? To be honest we love the job, the music, and the people that come to the parties, but sometimes if you’re a bit tired, having to stay up till 5 or 6am ‘till the party ends can be challenging to say the least!

 

 

Hardwell: “If you can dream it, you can do it”

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Music maturity came swiftly for the now seasoned-veteran Robbert van de Corput, better known as Hardwell. At age 25, the young Dutch titan capped off a 10 year journey when he was crowned World’s No.1 DJ in the 2013 DJ Mag Top 100 DJs Poll cementing his position as the electronic scene’s newest superstar DJ and becoming the youngest ever winner of the coveted Top 100 DJs award. 

Label boss of Revealed Recordings with 6 consecutive #1’s on Beatport, his studio output has never been more prolific or more on point. Records such as his anthemic hit ‘Spaceman’, ‘Three Triangles (Losing My Religion)’, ‘Countdown’, ‘Jumper’, alongside the hard-hitting track, ‘Apollo’ and his scorching collaboration with Dyro and Bright Lights, ‘Never Say Goodbye’ are some of summer 2013’s most played tracks.

I Am Hardwell - Singapore

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His performance at Ultra Music Festival 2013 clocked up a staggering 6 million views in just 8 weeks. Hardwell’s set broke all records as the most watched live Ultra broadcast with over 80,000 people watching his set via the feed. 

Following on from his 2012 Tomorrowland set, which to date garnered over 18 millions views on YouTube, Hardwell returned to the main stage of Tomorrowland in 2013 where he delivered yet another belter performance, taking a frenzied Tomorrowland audience on the ride of a lifetime. This time the live set amassed in excess of 1 million views in a matter of days and currently clocks in at over 12 million views on YouTube. 

In April 2013 Hardwell launched his most ambitious project to date when he unveiled his I Am Hardwell world tour concept at Amsterdam’s Heineken Music Hall to a 6000 capacity crowd. The first phase of the tour saw sold-out shows in Jakarta, Singapore, Bangalore, Mumbai, Lisbon, London, Mexico City with further shows coming up. I Am Hardwell is set to become one of the must see shows of 2013/2014.

During the 2013 edition of ADE, Hardwell held the world premiere of his ‘I Am Hardwell’ documentary in Amsterdam’s oldest and most famous cinema, Tuschinski. The documentary provides a captivating behind the scenes perspective on Hardwell’s ascendance.

The rise of Hardwell as a young boy from the city of Breda into a ripened international heavyweight is an inspiring tale for all. Coming full circle from a dream to reality of wanting to become the ‘#1 DJ in the World’, we can be assured that the Hardwell name, face, and brand is a force that will drive electronic dance music for many years to come.

Next stop on the I Am Hardwell world tour: SOUTH AFRICA. Pulse Radio touched base with the refreshingly grounded youngster ahead of performances in Durban, Cape Town and Johannesburg on 5, 6 and 7 December respectively. 

You embarked on a vocation in music over a decade ago at a time when Technics turntables and records were still very much industry staples. Name five records from the era that touched your soul. Ok a bit of a mixed bunch but...

Robin S - ‘Show Me Love’

Tiësto - ‘Flight 643’

Gouryella - ‘Gouryella’

Ferry Corsten - Out Of The Blue  

Marco V – Simulated

Anything by Dr Dre

Recall when you first began to produce?Was there a singular experience, artist or track that sparked this irrepressible urge to create music? There were a few songs like Ferry’s ‘Out of Blue’ and Tiësto’s ‘Suburban Train’ that spiked my interest in how a record was made and how I could go about creating a track of mine own. So I started out making mash-ups to see what ideas worked with what. It’s actually how I ended up making my bootleg of “Show Me Love vs. Be’ which was a huge turning point in my career.

What do you think is the toughest challenge facing DJs/producers today? Being original and finding your own sound. There’s still a lot of freedom within the music and new artists are bringing ideas and different genres to the table each week, but to be truly original is a tough task. 

In your opinion, what makes a truly great DJ? For me it’s not about one single thing but a mixture of several things from your mixing skills to your ability to choose the right track for the right occasion and your connection with the crowd.

Which non-electronic music track (if any) has been a recurring feature in your sets over the course of your career? I’ve always made and continue to make mash-ups as part of my set so because of that there’s always an electronic twist to the track to keep it related to my sound. Over the years this has included mash-ups from DMX to Coldplay.

2013 proved to be a landmark year of unprecedented proportions for Hardwell. What are the most valuable lessons you’ve learnt along the way to #1? Well my motto is “If you can dream it, you can do it” and I very much believe this. It’s important to have goals and work hard to try and achieve them. I’ve been very fortunate to have achieved a lot in my career already but it’s vital to keep grounded and don’t let success go to your head. I surround myself with good people and keep focused on why I do this, for myself and for the fans.

Your commitment to personally reading every single tweet from fans is exemplary. Why is direct contact with your fan base so important? It’s important to me because these are the guys I share all of this with. These are the people on the dancefloor I’m partying with and making my music for. So away from the clubs and festivals I want to hear what they’ve go to say. Twitter gives me a great opportunity to do that wherever they or I am in the world. 

When, where and how can Hardwell fans watch your full-length ‘I Am Hardwell’ documentary? The documentary is currently being shown in selected cities around the world alongside my I Am Hardwell world tour. The official release of the DVD is December 6th. In the meantime you can keep up to date on the official I Am Hardwell website: www.iamhardwell.nl 

Name the tracks that have defined the year for you in terms of music. On a personal level my single ‘Never Say Goodbye’, a collaboration with Dyro and Bright Light, was such an important record for me over the summer. Whilst two records which have been enormous tracks in my sets this year are Dyro’s ‘Leprechauns and Unicorns’ and Dannic’s ‘Clobber’ 

Next stop: South Africa! Is it your first visit to the continent of Africa? Any idea what to expect? Any personal message we can pass onto your SA fans? No, I’ve been before a couple of years back. I’m looking forward to this tour because I’m bringing my ‘I Am Hardwell’ tour and I think the fans are going to love it. I don’t want to give anything away but fans can expect something completely new and unique. The production behind the show is incredible and I’m very excited.

QUESTIONS FROM SA FANS

What or who inspires you musically? Tiësto has been the biggest inspiration throughout my career. We’re from the same town so growing up he was always the one my friends and I would look up to. I have great respect for what he has done in his career and for the electronic scene as a whole.

What is the most important advice you have for aspirant electronic music producers? Believe in yourself, follow your instinct and be committed to what you find passionate in life. For me it’s not about overnight success but hard work and determination and setting goals and targets you want to achieve. 

How did you celebrate being crowned the youngest ever winner of DJ Mag’s Top 100 DJ Poll? The main party was at the award ceremony itself on the night. The party was really wild and it was great to share the experience with so many good DJ and industry friends, as well as my family, friends from home and my entire management team, and of course the fans. I then had a private party with just close friends and family the following night to just enjoy the moment with them. 

Purchase tickets to any of Hardwell’s SA gigs here: 

http://online.computicket.com/web/event/i_am_hardwell_sa_tour/ 

For further info visit: http://www.electricmusic.co.za 

Listen to Hardwell on Pulse Radio 

 

Watch 10 Years Of Watergate

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Berlin has one of the world's most prolific and well-respected clubbing scenes in the world. Now, one of the city's pinnacles of underground nightlife has released this 45 minute long documentary online for all to enjoy. Watergate X takes a never before seen look into what makes Watergate the club it is, including the set up, break down, dancers, lights, and everything in between. Watch it here.

Listen to Pulse Radio.

Article 15


Boiler Room Pearlers: Luciano for Bridges for Music at ADE

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The non-profit organisation that is putting back as opposed taking out of our electronic music culture by developing the culture leaving a lasting positive impression in disadvantaged communities  took it to the Boiler Room with the Cadenza family and SA. 

It was The Cadenza’s debut appearance in the Boiler Room taking on South Africa. They had Black Coffee in the house, Diloxclusiv vs. Sir Vincent, Kid Fonque and Mirko Loko to kick off the series of ADE shows this year that went down piping hot. “I don’t do music to be recognised,” Luciano says. “I do it because it’s necessary for me. My only ambition is to stay close to what I love.” As you know Boiler Room Pearlers are up for download so watch Luciano deliver his 60 minute set and grab the pearl for your bag. Enjoy!

Listen to Pulse Radio 

 

Nights In Transition: Flux

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NIT is agency that will promote club nights from their home city to other parts of the world. Instead of Outside Your Comfort Zone - Promoters Tips for running parties outside home environment. British club promoters speaking aobut their experiences taking a club night out of their home venue. We spoke with Flux promoters Phil and Johnny about the trials, tribulations and wild experiences encountered when taking the hometown hero out of its hometown. 

What's been the most fun party you've done outside of your usual club? Without a doubt our boat party at Dimensions Festival in Croatia this Summer. We were helped by the fact it took place on the first day of the festival, so the energy was high from the start, but none of us were prepared for the complete mayhem that ensued as the afternoon wore on, and I think we were pretty lucky it didn’t sink. It was the standout highlight for us of an amazing festival.

What lessons did you learn early on? We learnt many lessons in our first year throwing parties, but perhaps the most important one was realising that parties are not made by simply putting on quality line-ups. It’s just as important to focus on building an atmosphere and a core crowd, and in many ways focusing on the small details and little tailored features are what crowds really appreciate.

Have there been any examples of when it's been especially hard work to get the party out there? In Leeds, where a large proportion of our target crowd are students, we are inevitably slightly at the mercy of the student loan instalment cycle. At certain times of year, when many of these loans have all but evaporated, in can be hard to get an event out there and get the ball rolling, but we have always tried to respect this and keep our ticket prices as low as is feasible.

Is there a particular DJ or promoter that you'd recommend always having with you? We interviewed Ralph Lawson as part of our ‘DJ Diner’ series a few months ago, and I think we’d be pretty pleased to have his Japanese culinary wizardry at our disposal for our da-to-day lunches in the office, or anywhere else for that matter!

How do you differ your sets when playing outside than in the club? Day time sets are my favourite. It’s a great opportunity to spin more eclectic music, rather than underground and club orientated music and whip out a few classics. Carrie Lucas’s ‘Dance with You’ is somewhat of a Flux anthem now after summer.

Have you ever had experiences where the party may not have gone as well as it could have due to unforeseeable circumstances? We recently had Todd Terje cancel a gig with just 2 days notice due to his wife going into premature labour. However, after a mad scramble speaking to the agents we work with most regularly, we managed to draft in two great replacements and the event was ultimately a resounding success. Just another example of why it’s good to have the agents on your side!

What's been the most outrageous thing you've seen? Without going into excessive detail, a wrong turn on the way to find the toilets in Berghain resulted in us witnessing a lot of skin and leather in various compromising positions that I’m not sure I’ll ever be able to forget!

What are some of the experiences that make it worth it? At the risk of sounding a bit cheesy, looking out at a sea of euphoric faces during a particularly magical moment of a night you put together is about as rewarding as it gets. The fact of the matter is that it’s the DJ that creates those moments, carefully manoeuvring the crowd to a climax, but it’s a great feeling to think we had a small part in bringing all these people together.

And any experiences that don't? Inevitably, and as with any job, from time to time you have to deal with difficult people who are evidently in the industry for the wrong reasons. Although such experiences are pretty frustrating, it’s really par for the course in working life, and those frustrations are completely eclipsed by the rewarding experiences mentioned above.

 

Four Arrested In Connection With Warehouse Project Overdose

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Four men have been arrested following the wildly publicised death of Bristol man Nick Bonnie at Manchester's Warehouse Project earlier this year. 

After being sold a tainted batch of ecstasy this September at the Warehouse Project, Bonnie felt ill, eventually getting help. Bonnie wound up dying later in the early hours of Saturday, September 28 at the Manchester Royal Infirmary. The four Stroud-area men - three aged 29 and one aged 30 - have been bailed until December 19 following interviews regarding perverting the course of justice and drugs supply.

The death caused a large public reaction, moving the Warehouse Project to begin testing confiscated drugs on site and posting the results live on Twitter in an attempt to keep clubbers safe, as well as prompting reactions from public officials at the Home Office, and calls from Sacha Lord-Marchionne, director of the Warehouse Project, urging the government to consider drug testing and education legislation

‘We need to educate people about what’s going on at the moment. There’s some nasty stuff out there,’ Lord Marchionne said. 

Listen to Pulse Radio. 

On Tour with Rodriguez Jr. is Clive Bean

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Meet Clive Bean, when Clive Bean started to do some spinning of his own, he covered a diverse collection of genre which I believe was paramount in the fact that he is so incredibly flexible and in touch with the floor in a more recent appreciation of events. Clive has been a recognised player in the industry for about 15 years now which is just short of a gold watch, but let’s give it to him anyway. Catch him this Sunday the 8th of December on the Citilec Roof. Tickets available here and more info on the event here

Listen to Clive Bean on Pulse Radio 

 

The World’s First 3D-Printed Vinyl Pop-Up Store

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London will host the world’s first 3D-printed vinyl pop-up store later this month! Sponsored by Bacardi, the store will sell vinyl featuring an exclusive new track from Bloc Party’s Kele Okereke and Bobbie Gordon. Kate Moross, who has designed for Topshop and Jessie Ware, will create four different sleeves. All proceeds from sales will go to music charity Nordoff Robbins.

The method of creating these 3D-printed records was developed by Amanda Ghessei in 2012. She told The Vinyl Factory, “I think the appeal of these techniques is for DIYers to get to experiment with the process by creating their own custom one-offs.”

She has created a program that converts digital audio files into 33 rpm records. The records are mono instead of stereo and feature deeper grooves than traditional ones. Watch the technology in action here:

Listen to Pulse Radio

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