Ahead of his highly anticipated tour across North America, Hardwell has shared a special mix giving fans a preview of what they can expect at the series of shows. The mix features a combination of originals and remixes including the premiere of his new collaboration with W&W and Fatman Scoop called “Don’t Stop the Madness.”  Check out the tracklist below.

The Dutch DJ has already brought his massive ‘I AM HARDWELL’ tour to some of the biggest venues in the world, and he’s wrapping it all up this fall in North America. Kicking off on Halloween in Chicago, Hardwell will make his way to major cities throughout the continent including Toronto, Los Angeles, Miami, and New York. For tickets and more information, click here.

I AM HARDWELL North American Tour Mix Tracklist:
1. Hardwell feat. Matthew Koma, "Dare You (Concert Edit)"
2. Dannic & TV Noise, "Solid"
3. Hardwell & W&W, "The Dance Floor Is Yours"
4. Bingo Players vs. Hardwell vs. Tommy Trash & Sebastian Ingrosso, "Knock You Out Reload (Hardwell Mashup)"
5. Deorro & J-Trick, "Rambo (Hardwell Edit)"
6. Hardwell & W&W feat. Fatman Scoop, "Don't Stop the Madness"
7. Hardwell & Joey Dale feat. Luciana, "Arcadia (Thomas Newson Remix)"
8. KSHMR & DallasK, "Burn"
9. Coldplay, "A Sky Full of Stars (Hardwell Remix)"

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Dutch opera composer Paul Oomen has invented what he calls 4DSound, a new way to experience music. Inspired by classical music and Nikola Tesla, he has developed an innovative sound system that consists of 16 columns of speakers (each with three speakers) and nine subwoofers located under the floor. 4DSound allows for 57 different channels of audio, and sound can be mapped for specific spaces.

German artist Stimming has given 4DSound a test run and the results are pretty amazing. Ableton Live tells the story and shows how Oomen’s vision came to life.

Listen to Stimming on Pulse Radio

Intro.

10. Rise

A brand new festival, Rise launches in the French Alps for the first time this December. Taking place from the 13th through 20th, attendees will experience incredible views, plenty of skiing, and music from the likes of Jackmaster, Gorgon City and Hannah Wants. Not to mention for one flat price, accommodation, a ski pass, coach travel from the UK, and a festival pass are all included and upgradable.

Don’t miss: Jackin’ house from the UK’s Jackmaster

02. Time Warp Netherlands

As the German born techno festival, Time Warp, celebrates 20 years, it’s revealed a massive line-up, including Maceo Plex, Maya Jane Coles, Monika Kruse, Pan-Pot, Villalobos Sven Väth and more. And of course, this being Time Warp, you can be sure the production and visuals at Jaarbeurs will be second to none.

Details: December 6, 2014. Jaarbeurs, Utrecht, NL.

Don’t miss: Robert Hood’s live show, as a true pioneer and founder of minimal techno works it like few others can.
 

If you are an avid Daft Punk fan who makes sure to keep close tabs on the famous French duo you will more than likely know that 'Lose Yourself to Dance' and 'Get Lucky' were not the robots and Pharrell Williams’ only collaborations. Earlier this year, Thomas Bangalter and Guy-Manuel de Homem-Christo joined forces with Williams for a third time to produce 'Gust of Wind', the 7th track off of his most recent studio album, 'Girls'.

Pharrell has shared a teaser of the forthcoming music video for 'Gust of Wind' which features two boulder-sized monoliths sculpted to resemble Daft Punk’s iconic helmets. A release date for the video, directed by Edgar Wright, has not yet been announced.

Watch the “Gust of Wind” video snippet below.

And listen to ‘Gust of Wind’ in its entirety here:

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Egyptian trance sensation Aly & Fila, ranked 19 by DJ Mag's Top 100 DJ poll is set to transfix Wild Waters in Boksburg, Johannesburg this coming weekend as the international headline act for H2O Africa 2014 Animal Instincts. Billed alongside them are a carefully selected cast of local and African electronic tastemakers including the inimitable Black Coffee, Mi Casa, GoodLuck, Niskerone, Ph.Fat, DJ Fresh, Euphonik, Roger Goode, Pascal and Pearce and countless others.

This annual event hosted by H2O, the same promoters responsible for both Electric and Ultra South Africa, is an official SPCA fundraiser and a sizeable portion of the party's proceeds will be donated to the charity in aid of many a needy furry friend.

Partygoers will be treated to the illustrious Egyptian twosome and supported across no less than 9 dance floors boasting world-class production, imposing sound and spectacular lighting, lasers and pyrotechnics, by over 100 DJs, artists and live acts. 

H2O Africa 2014 pre-sale tickets are available from Computicket: www.computicket.com. For more information visit: www.h2oparty.com

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Louisa Pillot, aka the brashly named DJ and producer LOUISAHHH!!!, has mixed this week's podcast, Pulse.193.

The New York bred, Paris based DJ, vocalist and producer first gained widespread recognition when she laid down vocals for Danny Daze's 2011 house monster 'Your Everything'. Meeting Brodinski soon after led to Louisa joining the heralded French crew Bromance, in turn seeing the release of her debut EP in 2013 and a well received collaboration with Maelstrom, 'Traces'.

Now one of the scenes most exciting up-and-coming names, LOUISAHHH!!! pushes a dark and edgy electro and techno sound with plenty of accessible melody; a fresh take on the mid 00s electro-house era.

DOWNLOAD PULSE.193 HERE

You've been pretty busy lately, playing in NYC and around Europe. What have been some highlights from your most recent adventures? This year has been incredible, really. I feel like I'm learning a lot, which can be uncomfortable, but the atmosphere is so supportive and inspiring that the challenge of growth and of trying new things is bearable. Specifically, learning to really step up to the plate as a headliner and deliver a big set is kind of new. The response has been incredible, but now without some unsure moments. It's a real blessing to play to crowds that support that uncertainty and stick with me as I challenge myself and learn to trust instincts and stay really present. The end result is magical.

When you’re back in NYC, where can we find you when you’re not working? What are some of your go-to spots? I am usually running along the rivers early in the morning, or hanging out with family and friends. My Dad's girlfriend works at the Metropolitan Museum of Art so I try and get up there every time I'm home and see what's going on at the costume institute.

You grew up in NYC, lived in L.A. for a while and are now in Paris. Each city has its differences, but have you felt more freedom to explore, creatively, in Europe? I guess freedom comes from security, in a lot of ways. In Europe it is possible to actually make a living playing and making dance music, which frees up a lot of possibility and opportunity and energy to devote to 'exploration', not just musically, but in other creative pursuits as well. I also find that a lot of my inspiration comes from longing and displacement, touring, constantly moving around...I am always missing something. This is healthy for the work.

Do you plan on moving back to New York anytime soon or are you focusing on Europe at the moment? I did my time in New York. I love it dearly; it will always be my hometown. But right now Europe is where I need to be. I'm back and forth quite a lot, however and over the next year my goals include a club residency in Europe and in NYC. You can't get rid of me that easily, USA.

Your style is versatile and spans many genres in the electronic world and you manage to play darker and tougher while still keeping melodies alive. Have you found yourself leaning towards any different styles or sounds recently? I'm obsessed with Chicago footwork and juke tracks right now, labels like Hyperdub and Planet Mu and Teklife. It's impossible to play 160 bpm in a techno set, though, without feeling like you're turning gabber, so I just slow everything down like 25%, which puts hats and claps in weird places, the swing is deep and strange. I'm into it.

While in LA, you started NYCPARTYINFO with your friend Stevie Be. Tell us a bit about how this came about. What inspired you two to join forces? Stevie Be is amazing, one of the most talented producers working right now. He is also a genuine heart; honest, and one of the funniest people I know. I love him dearly. All that being said, we connected around 2010. I was feeling super lost musically. I had just separated from Gina Turner as Staccato - she had moved back to NYC and I was in LA and had started playing all vinyl; more organic, deeper house music, trying to find myself. Stevie had just moved from Philly and we knew each other through our friend Stephen 'Bushy' Bush, a legend of the Hollerboard and NYC/Philly circa 2004-06. We sat down to make music together and spent literally six months working on one track, just learning how to work together. That track was actually never released but it birthed 'NYCPARTYINFO'.

You’re part of Brodinski’s Bromance crew. Traveling around with a bunch of boys must be entertaining – tell us one about one of the most memorable moments? Oh god, one of the funniest this year I found out the morning after. Being clean and sober, I am the adamant non-partier of the crew, but the last time we had a crew night in London, I heard a lot of shouting in the hotel hallway in the wee small hours of the morning. Furious knocking on the room next door to mine and someone shouting, "MONSIEUR! MONSIEUR! S'IL TE PLAIT!" KNOCK KNOCK KNOCK. I ignored it and went back to sleep. From what I understand, it turns out that Club Cheval had hidden Monsieur Mr's beds. Like, literally dismantled and removed the beds from the hotel room. Monsieur Mr had gotten back after the gig, expecting to go to sleep and were furious. They accosted the Cheval boys, suspecting they had something to do it. Les Chevaux called the front desk and told them very seriously that someone had been in the room of Monsieur Mr and had stolen the beds. I'm not sure what the hotel did about it, but I still laugh thinking about this.

Who are some artists and labels you’ve been into at the moment? Obviously, our sister labels Zone and Marble are always releasing cool stuff, and it feels like the family is growing around the world with Motorik in Australia and Sicario in Mexico. Outside of 'dark new techno' and the juke I mentioned earlier, I always love what Perctrax is up to, and very excited about artists like Tinfoil/Defekt, Twwth, Danny Daze's new stuff and Jimmy Edgar's Ultramajic. Have also been rediscovering Switch's weird loopy remixes from around 2006, they're club fire.

Tell us a bit about the mix you made for us. I did it live and unedited, so it's a bit imperfect, which I like. It feels more human and intimate. It has a pretty broad spectrum of what I'm into right now, opening and closing with unreleased tracks of my own, and moving from older 'tech-house' through slow juke and electro, into a bit of moody deep house and ultimately real grown and sexy techno. I'm quite proud of it. I spent a lot of time putting together what I was going to play and then ended up throwing the plan out the window. It was a lot of fun to make.

What’s next for you and the Bromance crew? We have some crew nights coming up, which are always really fun - the energy of the group is really magical and it's always a delight to hear everyone and get to spend time together (a rare treat because we're all so busy). Maelstrom and I also just finished our second collaborative EP, I am super proud of this and excited for it. I'm not sure what the release plan is but it's pretty special. We will keep you posted, I'm sure.

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As far as legends go, John Digweed is up there with the best of ‘em. After achieving monumental success in England in the early 1990s, the British DJ and producer made moves across the pond once a month to play his residency at New York clubbing institution, Twilo. Digweed regards the five years he shared a residency with Sasha at Twilo as some of the best of his life. Their evenings at Twilo have gone down in nightlife history as some of the most legendary throughout New York’s prime days and he is still one of the most relevant and widely respected DJ/producers in the industry. 

At the same time, he had also paired up with Nick Muir to produce under the Bedrock alias. The duo released a number of successful tracks and have had a long-standing partnership. Their most recent project, ‘The Traveler’, is a collaboration with award-winning Sci-Fi author, John Twelve Hawks. The album is the result of years of communication among the three. Named after Hawks’ novel, it features passages read directly from the book by Hawks himself, which he wrote listening to Digweed’s mix albums and weekly radio shows. 'The Traveler' is a unique and beautiful collaboration and representation of reciprocated respect and understanding of artistic vision. We had a chance to sit and chat with Mr. Digweed about the album, his Twilo days, advice for young producers and more. ‘The Traveler’ dropped today so read on and pick up your copy here.

You’ve stated that you wanted to be a DJ from a very young age – was there a specific moment or event that sparked that ‘Aha!’ moment? One of the guys that worked in my parent’s building was flat mates with the local DJ. He used to give him mixtapes of him DJing, which he would then pass onto me. I remember listening to all this new music that I had never heard of or heard on the radio – there were no words, the tracks just joined into each other seamlessly and I was just intrigued by it. When I was about 13, I convinced him to take me to the club that he worked in during the day when they were setting it up. I went into the DJ booth and looked out and thought, “All right, I know what I want to do now for the rest of my life!” There were no superstar DJs at this point. It was literally, “I like music and am here to play it.”

From Richard Long Sounds Systems in Paradise Garage to Gary Steward and Steve Dash’s Integral Sound, sound has always been an important part of clubbing in New York. With all the technological developments over the past few decades, which systems are your favorite these days? Phazon at Twilo has been very hard to beat. I spent the best part of five years of my life in there. Steve Dash used to come down every week and fine tune it, the system used to purr and sounded incredible. That was the best system I’ve ever played on in my life. Womb in Tokyo has a Phazon sound system and I’ve played on several of Gary Steward’s sound systems around the world. What I love about New York is that clubs have always taken the time and made sure that sound was at the top of the agenda. I’ve been able to play on some of the best sound systems in the world and I’m very thankful to people like Richard Long, Gary Steward and Steve Dash for all their hard work.

Tell us about the very first time you played at Twilo. We did a mini tour across the U.S. and Twilo was one of those dates. It went so well. I remember talking to Phil Smith, who was one of the owners, when he had come over to Liverpool because they had installed a Phazon system in Cream. This was back in 1996 and we were chatting about how much people enjoyed it. I told him we’d be grateful if we could come do it again and he joked that we should come back and do it every month. That’s when the seed was planted. At that point, both Sasha and I had achieved so much in England, frequenting the same clubs on a regular basis, New York suddenly seemed like a challenge. This is also because it was dominated by New York DJs at the time and it was quite an ambitious step for both of us to take. We could have fallen flat on our faces and been sent home with our bags packed, but fortunately it was the right time and right place. I don’t think we stood on anyone’s toes because on a Saturday night Junior [Vasquez]’s night it was still rammed, on Danny [Tenaglia]’s night it was still rammed, Victor Calderone’s night was still rammed. All the other DJs still had good business, we were just attracting a slightly different crowd. It was a great move for both of us.

You weren’t living in NY throughout your residency. You were travelling from London to play every month, correct? Yeah, I travelled every month.What’s not to get excited about? Getting on a plane and flying to New York every month!

When was the first time you came to NY? When I played Twilo. That was the first time and I never looked back. I love coming to this city, I’ve got a lot of great memories here.

When you first came here, what were some of the major differences that stood out in the music/clubbing scene compared to back home? The great thing about Twilo was the mixed crowd. You would have everyone from models and transvestites to gays, students and anyone else. The DJ booth was in the corner and no one was even looking at the DJ. Everyone was on the dance floor dancing with each other, there was no DJ worship going on. To me, that was a really refreshing aspect because no one was looking to the DJ for guidance. The music was guiding them through the night. You shouldn’t need to look at the DJ to know what’s coming. You should trust your judgment and let the music guide you.

You work quite closely with Nick Muir and you’re album ‘Versus’ was successfully released last year. How did this partnership come about? I started working with Nick in about 1992. I was introduced to him through a mutual friend. He came down to a night I was playing in London called Rage, and a friend of mine said that he’d been making some music and asked if I would like to hear it. He passed through some music he’d made and came back the next week and asked me what I thought. I said, “Eh, it’s not very good!” Then he said, “Well, why don’t you come in the studio and have a go at making something?” We went in the studio and the first thing we made was “For What You Dream Of” – it wasn’t a bad start. It ended up on the Trainspotting soundtrack. He’s a great guy, an amazing musician and programmer and we’ve got a great working partnership. When you work with someone for that long, it’s important that you both get it and have the same goals. With ‘The Traveler’, once we’d met John Twelve Hawks and had gone through all the dialogue, we both had a similar idea of what it should sound like and how it should go.

You and Nick joined forces with bestselling Sci-Fi author, John Twelve Hawks, to produce ‘The Traveler.’ The entire process seemed fascinating but also quite difficult. What was your favorite aspect of producing the album? From the beginning, the entire thing has been amazing. I don’t know if anyone has ever done a project/collaboration like this before. When we were communication with John Twelve Hawks, he was saying it would be great to collaborate in some shape or form together. We were trying to sort out how we would make this work because he’s quite mysterious. We’re not exactly going to go on the road together! We were batting ideas back and forth. He suggested that we take some passages from the book and that Nick and I should then work on some music alongside it. Once he planted that seed and I spoke to Nick, it all fell into place. I think the whole project was exciting because there was a great story to it. The dialogue is fantastic and it was an opportunity to work on a project that is slightly different. When most artists put out an album, it is usually a reflection of how he/she was feeling at the time. With this, however, we’re not trying to find a reason for making it because everything was all laid out in front of us. We had so much to work with because of all the dialogue that it allowed us to be creative and make a proper album, using his voice in creative ways but also making the music make sense of the character or mood he is talking about. It’s not just 13 club tracks banging away. We tried to create something that has mood, flow, ambiance, but also energy when you need it.

What was the most difficult aspect? There wasn’t really a difficult party because there was no time frame. We had as long as we needed to make it, so we could make everything right. We didn’t want to put it out until we were completely happy with the result. Having no time scale allowed us to work on it at our own pace and deliver something which we wanted John to be happy with, of course, but also something that both Nick and I were extremely happy with.



It’s great that you can work so well with no time frame. Sometimes artists find it difficult when they have too much time to put out music because they keep finding imperfections and revising. Have you ever struggled with this? We’re quite good in the way that once we’ve worked on something and are happy with it, we can move on and get on with the next project. Otherwise you’d never get anything done or release anything!

You’ve collaborated on other creative works before – you did a movie, correct? Yes, we did Stark Raving Mad and we also did the music for Spider Man, the animate series for Sony/MTV. We’ve dipped our toes in the film/TV world a little bit. We really enjoyed this project. It was something we got hold of from the start and John gave us free reign to do what we wanted to do. It wasn’t like he was leaning over us trying to dictate how it sounded, he trusted us to deliver what we thought was the best interpretation of his voice and the way the book is. When we sent him the work he was really happy with it so I’m glad that, at the end of the project, everyone involved is happy, the end product looks great, and hopefully everyone will appreciate all the work that’s gone into it.

You’ve played all over the world at the best places, clubs and had the best times – what is one really memorable experience/set? There are so many moments! From when I first started and was playing college parties in my hometown, to playing on Bryant Beach with Fatboy Slim to a quarter of a million people, and everything in between that. They are all special moments so it’s hard to pick special nights. Twilo is very special, the Vagabond in Miami is very special, there was a small club in Bryant called the Beach, which I used to do once a month and was amazing. It’s not always the biggest clubs that are the best and leave you with the best memories. Sometimes it’s the little hole-in-the-wall places that have got the right amount of likeminded people and everyone is going crazy. Argentina, is another place for me that is always an incredible experience. It doesn’t matter which part of the country I go to, there always seems to be about 5K-10K people showing up!

In terms of technology and exposure, things are completely different now. It’s much easier to make and share music, what do you think it takes to have a successful career making electronic music these days? What advice would you offer to someone trying to start their career? First of all, stay true to yourself. Make music that you like. Obviously, you can make big cheesy commercial music if you want to go down that route but will you wake up with a smile on your face in the same way you would if you were doing something you love every day? I think if you’re playing music you love, that’s never going to change whether you’re playing to 20 or 20,000 people. If you’re playing music you don’t like, it doesn’t matter how many people you play for, you still don’t like it and you’re just getting paid for it. I’ve always wanted to play the music that I love and I think people play better when they do that. Play your passion. It’s also important to look at whether you want to be a sprinter or a marathon runner. Do you want to be in this industry for 5 years or 15-20? It is possible to do both, it’s just how you conduct yourself. If you turn into a diva you’ll find that promoters won’t want to book you. I think it’s really important be nice to everyone. People always remember someone who’s nice. If you’re an asshole, they’ll remember that too and you won’t get the phone call anymore.

BEDTRAV01CD TRACKLIST:
1. First Line
2. Live Off The Grid
3. Am I Awake
4. Capoeira
5. Stay In The Present
6. The Traveler
7. The Truth
8. Battle
9. Find The Way
10. Damned By The Flesh
11. 3B3
12. We Are All Connected
13. Last Line

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Police have confirmed four people were wounded during a shooting at the Deep in the Woods music festival in Alberton (outside Johannesburg) on the weekend. Police stated that two people were involved in an argument at the festival on Saturday when one of them opened fire. Four people were wounded, including the suspect, who was shot by a police reservist.

Ariella Cameron and friend Michael Speight were standing at the bar when Ariella was shot in the shoulder during what was believed to be a gang related shoot out. According to citizen.co.za, ‘ “She had no idea that she had been shot. She looked in front of her and saw that her friend Michael had blood coming out of his shoulder. She felt her shoulder was sticky and thought that Michael’s blood was on her,” Cameron’s WordPress blog post read. “Apparently it took her a while to realise she had been shot” ‘.

It’s understood two people were involved in argument at the Meyers Farm yesterday when one of them took out gun and fired several shots. Authorities say the suspect was then also shot and wounded allegedly by a police reservist who was responding to the crime scene. A 9mm firearm was recovered at the scene. The suspect is now under police guard in hospital and will face three charges of attempted murder. He is in a critical condition.

Deep in the Woods released the following statement on Facebook this morning:

“With regret we would like to inform you that there was a(n) incident at DITW. A patron entered the venue with his girlfriend, and a firearm was undetected in her handbag. An incident occurred and shots were discharged. A undercover police reservist was on the scene immediately and the matter was taken under control and the perpetrator was removed from the scene. The injured parties were transported for medical attention. A full police investigation is in process and we will keep you posted. Our thoughts and prayers are with the injured and their families”.

South Africa has had very few violent incidents at music festivals and generally outdoor parties cultivate peaceful interactions. The country's crime rate usually means security is tighter, but this incident begs the question about how strict security really is, and brings attention to the importance of safety for those attending. One can only hope that this event will boost security, and not diminish numbers, in a country with such a strong outdoor festival culture.

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Mobilee Records founder Anja Schneider took on the Essential Mix over the weekend with her debut set for the BBC Radio 1 program.

It's been a busy summer in Ibiza for the long-standing German DJ, playing at the likes of Space, Pacha, Sankeys and holding down a residency at Hotel Santos. Despite being in the techno game for some time now (her Mobilee label was founded in 2005 in the wake of minimal), Anja tells Pete Tong that she's still always excited about new artists, hence a lot of new and fresh music featuring in her Essential Mix. You can also expect some unreleased tracks from Maya Jane Coles and Schneider herself.

"It's a whole journey into a night with all the moods you are going through," she explains of her set. "You can be excited, you can be a little bit wild, you can be sad, you can be tired, sexy...so I tried to put every mood into the mix.

Anja Schneider-Essential Mix-CABLE-04-10-2014 by Mixing.Dj Livesets on Mixcloud

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The NSW Government's controversial lockout laws has led to the closure of The BackRoom Sydney, one of the most popular and iconic nightclubs in Kings Cross.

"Things haven’t been working for a while. Plain and simple, it is the lockout laws that have definitely affected our closing," venue owner Raul Gonzales told Pulse Radio this morning. "When you have a business model that relies on late night trading and you’re not getting it, then its just not feasible to keep it running. The foot traffic in the Cross has dropped significantly."

According to a City of Sydney submission to the NSW Legislative Assembly inquiry into alcohol related violence, pedestrian traffic is down 84% compared with 2012 levels. Businesses have also reported up to a 40% loss in revenue since the lock-out laws were implemented.

Formerly known as Lady Lux, The BackRoom Sydney was one of the troubled area's most popular and frequented venues, often playing host to special after-parties for big name artists touring the country such as Snoop Dogg and Good Charlotte. The club held its very last 'demolition' party on Saturday.

All is not lost for BackRoom punters though, with Gonzales revealing that he and business partner David Freeeman plan to open another venue with a similar vibe in the coming months.

"We'll be announcing something new in the next couple of weeks and are expecting to open by mid November. Basically we're opening something similar to The Backroom but outside of the Cross and with a different name."

Stay tuned to Pulse for more updates.

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Caribou
Our Love
City Slang

8/10

Anyone listening to 'The Milk of Human Kindness', Dan Snaith’s first long form offering as Caribou, would be promptly pardoned if they were to wage small fortunes that his music would never seriously find a home on the frenzied terraces of Ibiza. Deft of finish, meandering contemplatively like Cluster or Can, Caribou in 2005 was resolutely an indie artist. For a long time the influential role which Krautrock played in shaping electronica remained obscure to outsiders, because so few artists had bridged the hypnotic jam sound of 70’s Germany with the rave rattling necessities of a post millennial dance floor in their own oeuvre. The dance music beast has changed radically in the last ten years, in many startling ways. Caribou’s latest album, 'Our Love', is a fitting reminder of how fortunate we are for it.

Since his Daphni collection of 2012 showed him shaking along in tandem with house music’s zeitgeist, Snaith has maintained an acute knack for the percussive. Here again, it is applied to his trademark loops and swells. 'Silver' wistfully recalls both the coy drone and bedroom soul of those earlier years, while 'All I Ever Need' lurches into plaintive electro pop territory with aplomb. The warm polyphony of 'Back Home' finds it in similar territory.

'Second Chance' repeals any familiar template from the soul soaked vocals of Jessy Lanza, leaving an ebbing, atonal sequence and almost imaginary clap to buttress the rhythm. It’s curious, but captivating, stuff. Were Snaith’s intonations not so serenely muted, his explorations into programmed sounds would surely invite the wrath of dance music loyalists, the cynicism of indie wardens and the general caprice of gen Y. That no credible source could accuse Caribou of selling out is a credit to his genuine development as an artist.

Title track 'Our Love' understates the assignment further: Snaith’s voice, put through various echo chambers and elastic contortions, sits atop an athletic beat faithfully. When the whole exercise is arrested by a bass line plucked from the London-Berlin bow-string and the drop-tone announcement “dancing,” the album’s ambition begins to percolate freely.

As a selection of tracks, Our Love is the work of an artist clearly at his peak. While 'Dive' feels like a pointless circular exercise in and of itself, its drop into pensive keys provides a fitting hinge moment for the collection, from whence that nuanced mission statement is further explored. Both 'Mars' and 'Julia Brightly' are both tight little beat tracks, their names reflected in the cadence and key perfectly. It would have been fantastic to hear 'Julia' forge out against the war god for a little longer, but perhaps that’s just the nature of bright vs might.

What’s all the more palpable with albums such as 'Our Love' is the subtler calibration that dance music has undertaken since its initial hey day. It unwinds through shades of hued speculation, hopping rhythms and melancholic fixations, but while it takes artists like Dan Snaith and his skilled contemporaries to release such brilliantly hybrid material, it takes an audience which is tuned in to its own contradictions and emotions to lose itself in such music, whether it be on couches, at desks, or in clubs.

Opener 'Can’t Do With You' could not be more emblematic of this: Trumpeted in main rooms throughout summer, the unlikely, infectious hit tempers brassy, bulging sentiment with an even poignancy that rewards as much as it acknowledges. No shortage of words will be dropped about Snaith’s music - his approach, and his output - but 'Our Love' is also a testament to the mutant, embracing sound he works amongst, and its ability to speak tenderly and passionately, as well as with charge and excitement. 'Our Love' is the prismatic, saturated work of a mature artist, not so much on top as wholly in the thick of his career.

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Inspired by a spiritual structure, Marc Marzenit gives us this ethereal, sophisticated and perfectly executed set, exclusive for the 17th episode of Be for the Podcast, from B4 Bookings.

Serene and placid beats immersed in organic sounds and incandescent vocals were skillfully selected for a special 7-hour session at the XII century Cathedral La Seu Vella in Lleida, where for the very first time in over 800 years, electronic pulses flooded the walls of this magnificent building. It is no surprise, therefore, that tickets sold out five days before the event in what was a spectacular success for the Catalan artist.

Marzenit showcases his taste and technique perfectly by connecting house, dub techno, techno, adding some hints of electro into the groove to create a captivating and eclectic DJ mix. Beginning with an almost melancholic tranquility, the set gradually emerges, the sound arrangements building a system that little by little becomes more agile, full of movement, warmth and vital energy, without ever losing the calm and the imperturbability of the original structure.

Exquisite, attractive and with lots of melody, this is a set that only Marc Marzenit could conceive.

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The third annual Vodacom In The City Music Festival delivered what it promised. Mary Fitzgerald Square came alive with sensational international acts Rudimental Live, MGMT, Crystal Fighters and The Presets, as well as Vodacom Open The City Winners, P.H.Fat.

Electronic duo P.H.Fat were up first and had the task of sparking the concert’s fire. They did a phenomenal job captivating the attention of the audience from the get go. Crystal Fighters transported the audience into an alternate dimension of Basque-folk bliss with their outlandish and dreamlike costumes, feather headdresses and spectacular staging. The entire crowd took part in a touching tribute of thanks and appreciation for former drummer, Andrea Marongiu, who tragically passed away just a few weeks ago. MGMT’s mind-bending electro pop delivered the classics “Kids” and “Electric Feel”, which had the crowd signing and swaying in unison, and gave fans a taste of their latest songs off the album ‘MGMT’.

Rudimental, the highly anticipated headliner, took the event to an ecstatic level. The drum’n’bass-meets-soul group with three vocalists and a total of nine members took over the stage with their high energy, feel-the-love-collectivism. Shouting “We love you Johannesburg” and playing favourites like “Waiting All Night”, “Home” and “Free”, Rudimental exceeded all expectations.

Australian electronic duo The Presets closed the night with an incredible live set. Listening to their dark-hued techno fill the square it was difficult to believe that there are only two members in this captivating act. The Presets had Vodacom In The City attendees in the palm of their hands with hypnotizing stage graphics and pounding tracks.

Lil’ Bow and The Mighty kept the crowd warm and jamming between sets along with MC’s, SABC 3’s Maps Maponyane and 5FM’s Stephanie B. Bars and booths like the Shap Shap Shebeen, Vodacom Deezer Stand, Cuervo Bar, and Carrera Augmented Reality Booth kept the party people busy, courtesy of sponsors Vodacom, 5FM, SABC3, Jose Cuervo, Shap Shap Cider, Carrera, Puma, and The Market Theatre.

See all the action and relive the memories online at the #VITC2014 Official Photo Album here: http://on.fb.me/1tr7t6T

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It's Ibiza's oldest and most iconic club, having started on the island more than 40 years ago. And with sister clubs around the world in places like New York and Moscow, the Ibiza brand's new Dubai club is set to open next month.

The club is by all accounts a glitzy, upscale affair. Featuring The Main Room, The Red Room and The Rooftop, set over three floors, each room will have a different feel for club goers.

Open 7 days a week, the ground floor Main Room features a Pan-Asian restaurant with live shows, acrobats, and house music from some of the world's biggest DJs. The mezzanine level Red Room will be open 5 days a week, and feature funk and alternative music, while the outdoor Pacha Ibiza Rooftop features views of the Dubai skyline and soulful lounge and deep house with modern Moorish food from a raw bar and robata grill.

Pacha Ibiaza Dubai opens October 6th. For more info, head to www.pacha.ae

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Halloween is fast approaching, so we've round up some of the best parties going down in the UK on Friday 31st October. Whether you’re going to be getting involved in a night of dodgy fancy dress or you’re just hankering for another weekend of top quality music, we’ve picked out 10 of the very best events from across the UK, with more than enough house and techno to satisfy your needs.

Glasgow

Pressure Halloween Party – The Arches

Slam is a household name in Scotland when it comes to techno, having carved out tough sounds and legendary parties for two decades. The Arches in Glasgow will provide the perfect raw space for this techno party, with its brick arches situated beneath the train station. Halloween sees the album launch for Slam’s ‘Reverse Proceed’ – Slam will play live and the likes of Dave Clarke, Boddika and Agoria will join the duo.

Leeds

Canal Mills Presents: Halloween at the Mill – Canal Mills

If you’re in Leeds for Halloween, Canal Mills is serving up a plethora of strong underground talent to soundtrack the creepy festivities. Hotlfush boss Scuba will provide his UK style of techno, alongside Glasgow’s number one party boy, Jackmaster, and Ten Walls occupy Room 1. Belfast boys Bicep are continuing grow at rapid rate, with an Essential Mix now in the bag. The duo will host Room 2, bringing Berlin-based Levon Vincent along, who is sure to provide some real deep and dark selections.

London

The Hydra Halloween Special: Full Pupp 10 x Horse Meat Disco – Studio Spaces E1

The Hydra’s line-ups throughout the winter are second to none, and certainly amongst the most exciting in the UK’s capital. Halloween sees more of the same, as a fine selection of disco and house will be on offer with Prins Thomas’ label Full Pupp 10 joining forces with Horse Meat Disco. Norwegian selector Prins Thomas is renowned for his cosmic house and disco sets and with Todd Terje playing live, alongside Thomas, Horse Meat Disco and Lindstrom, the feel good vibes are bound to be plentiful.

FOUND Horror Series: George Fitzgerald Presents – The Troxy

FOUND and George Fitzgerald provides a veritable feast of house and techno in the Art Deco theatre surroundings of The Troxy. A top quality soundtrack full of deep flavours will be on offer courtesy of Deetron, Mano Le Tough, Paranoid London and Seven Davis Jr.

Oval Space Music x Halloween Special – Oval Space

Detroit’s Octave One will bring their extensive array of equipment along for their live set at Oval Space alongside Cosmin TRG, Answer Code Request, and Vakula. In their own words they’re “Bucking the trend for frivolous themes and dress codes,” so expect straight-up quality techno with no frills.

Halloween Special – Egg London

If you’re still suffering from the Ibiza blues in late October, then a host of regular White Isle names will hit Egg for the Halloween shenanigans. Hector Couto and his brother Cuartero are set to be joined by German Brigante, Tuccillo back-to-back with Tomoki Tamura and Mar-T.

Manchester

Tribal Sessions Halloween Special with Dance Mania – Sankeys

Tribal Sessions are looking to continue their success and build on the momentum they gained in Ibiza by bringing the party back to the hometown club in Manchester. The legendary record label Dance Mania host Spektrum, with original deep house luminaries Parris Mitchell and Paul Johnson set to provide the bumping sounds. In the Basement, residents Darius Syrossian and Jozef K will hit the decks, as well as a Halloween surprise for everyone, as a special guest is set to appear.

Meat Free presents Legowelt live – Joshua Brooks

Dutchman Legowelt is bringing his live set to Manchester for the first time since 2008. The analogue hardware loving producer will bring eclectic sounds to the intimate Joshua Brooks basement for what is sure to be a lively affair.

The Warehouse Project Curated by Four Tet & Caribou – Store Street

Many people have been talking about The Warehouse Project and its return to the hallowed Store Street venue, under Piccadilly Station. Store Street is seen as the party’s spiritual home by many and with some typically huge line-ups, tickets flew when they went on sale earlier this year. Halloween will see Four Tet and Caribou inviting a host of artists including Carl Craig, Jessy Lanza and Jay Daniel.

Nottingham

Wigflex 8th Birthday Halloween Special – The Brickworks

Nottingham’s Wigflex has now been running for eight years and what better way to celebrate then bringing in some techno heavyweights. Berghain regulars Shed and Martyn will be joined by crazy synth explorations of Luke Abbott playing live.

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After nearly 8 years of Kinky Disco, the 2014 partying season kicks of in tropical setting at the Kogel Bay Resort Beach Party. Kinky Disco is "an electronic music organisation that has been specialising in daylight events since 2006, for music lovers and by music lovers, bringing a mature crowd together in unusual and exotic locations to celebrate Music, Life, Nature, Summer...". 

Located between Gordon’s Bay and Rooi Els and borders Clarens Drive, a 20km scenic route boasts whale watching opportunities along largely undeveloped parts of the coastline. Kogel Bay Resort is situated between high mountains, surrounded by indigenous fynbos and a four kilometre sandy beach and forms part of the Kogel Berg Biosphere Reserve. The high mountains shelter the beach from the strong south-easter winds during summer, making it a sought after beach.

Strange Loving will present the first showcase kicking off the afternoon, with Dakin Auret, Kostakis, and Ronald Rowley. The Private Life Showcase will sink house heads into the sunset a little later with Dario Leite, Julz Sanchez, Pierre Estienne, and Terrence Pearce, before the nigth goes deep heat with the Nomadiq showcase from around 8pm, featuring Dix and Floydd Lavine. Kinky Disco brings herself into the tropical night with her own showcase from 11pm, with Black Book, Kanan K7 and Lady M taking dancers through the midnight oil. 

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Sydney's favourite rooftop party Bare Essentials is hosting its final bash for 2014 with another killer lineup this November.

The little rooftop party that could returned with a bang back in March with a 500 capacity shindig at Flyover Bar, having outgrown the intimate rooftop of its orginal Hotel Sweeney's home. Then in September the Northern Beaches crew happened across a new home at The Bristol Arms in Sussex Street, with their first event selling out in record time. You can check out all the action from the party in the below video.

For the final Bare Essentials of the year, the party returns to the epic rooftop of The Bristol Arms with Magda Bytnerowicz, a 3-hour set from Carlos Zarate and plenty of BE regulars spinning quality house and disco throughout the afternoon and into the evening.

First release tickets are on sale now for $22+BF. BUY HERE.

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Melbourne Music Week has announced a string of new artists to feature at their upcoming summer showcase. Following on from their original announcement, which included the likes of Tangerine Dream, Ten Walls and Dusky, the next instalment has raised the bar even higher. Joining the bill are Underground Resistance, Pachanga Boys, Optimo, Guerre, Midnight Juggernauts, Banofee, Safia, Tornado Wallace, Milwaukee Banks and many many more.

Melbourne Music Week 2014 will also feature a large proportion of home-grown talent. Thanks to an initiative from the City of Melbourne, over 75% of the artists at this year’s event are from Victoria. Check the full programme here.

Melbourne Music Week will shine a light on Melbourne’s dynamic and ever-changing music scene, with 250 artists playing over 100 events in 10 jam-packed days. The festival centres around Queen Victoria Market which will serve as MMW’s spiritual home from November 14th – 23rd.

Melbourne Music Week Full Lineup:
Tangerine Dream
Archictecture in Helsinki
Underground Resistance
Midnight Juggernauts
Optimo
Pachanga Boys
Dusky
Banofee
Milwaukee Banks
Cut Copy (DJ Set)
Ten Walls
Guerre
Tornado Wallace
Safia
and more

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Sydney's favourite rooftop party Bare Essentials is hosting its final bash for 2014 with another killer lineup this November.

The little rooftop party that could returned with a bang back in March with a 500 capacity shindig at Flyover Bar, having outgrown the intimate rooftop of its orginal Hotel Sweeney's home. Then in September the Northern Beaches crew happened across a new home at The Bristol Arms in Sussex Street, with their first event selling out in record time. You can check out all the action from the party in the below video.

For the final Bare Essentials of the year, the party returns to the epic rooftop of The Bristol Arms with Magda Bytnerowicz, a 3-hour set from Carlos Zarate and plenty of BE regulars spinning quality house and disco throughout the afternoon and into the evening.

First release tickets are on sale now for $22+BF. BUY HERE.

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Over the last 18 months, La Famiglia has become a Sydney nightclubbing institution. In quick time, the late night Burdekin shindig became one of the city’s most beloved techno hang-outs. Having hosted names like Deepchild, Nick Warren, The Martinez Brothers and Jacob Korn, La Famiglia is a name synonymous with a good time. But all good things must come to an end. The La Famiglia crew have decided to call it a day, hosting their finale on the 18th October.

But all is not lost. Techno music will continue to reign supreme at the Burdekin, albeit under a different banner. Rising from the ashes of La Famiglia comes ‘Something Else’ – a new weekly party concept. Opening October 25th, ‘Something Else’ will pick up where its predecessor left off, with a few subtle changes. The new residents have stripped the Burdekin back to its raw essentials, “bare stone wall, untreated rendered columns, and a brand new system to tickle the ear drums of any aficionado”.

The SE team have booked some huge names to open proceedings, including Ian Pooley, Mr C and Max Graef. For more information on upcoming events, click here.

Something ElseLinuep
25.10.14 – Red Rack’em (Sonar Kollectiv/UK) & Simon Caldwell [BUY]
01.11.14 – Ian Pooley (Pooled Music/Innervisions/DE)
08.11.14 – Mr C (Superfreq/UK)
15.11.14 – Set Mo (etcetc)
22.11.14 – Max Graef (Box Aus Holz /DE)

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