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Kaskade Responds to EDM Critics

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The conversation about drug use at electronic music events has been fueled even more this week with rocker Tom Petty making some harsh comments about the EDM scene (“Watch people play records? That’s stupid. You couldn’t pay me to go. I don’t think it would be any fun without the drugs. It’s a drug party.”)

Now, Kaskade is joining the conversation again after news broke that 55 people were arrested and 22 hospitalized “due to excessive alcohol consumption” at a Keith Urban concert last weekend.

He took to Twitter to voice his concerns and reshared his response to the LA Times that he wrote last year after the newspaper published a piece about EDM’s drug culture.

Weird that so many ravers were at a Keith Urban concert. Oh wait…there’s a drug/alcohol prob OUTSIDE of electronic music?? Shocking.

— Kaskade (@kaskade) July 28, 2014

My response to @latimes about EDM’s drug culture (1 yr ago) http://t.co/HmzlPeeRIG Can’t wait to see what they write to Mr. Urban!

— Kaskade (@kaskade) July 28, 2014

Listen to Kaskade on Pulse Radio


Top 5 Acts to see at Eastern Electrics

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Just around the corner, Eastern Electrics is once again boasting one of the biggest and best festival lineups on the block. 

And with over 30 world renowned acts taking place on a number of stages over the course of the day, the options are almost limitless. So we've broken down our five top picks to make your Eastern Electrics experience the best it can be. 

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Ellen Allien

The First Lady of German Techno and acclaimed founder of BPitch Control, Ellen Allien, is back at Eastern Electrics for her second year running. Ellen has been carving a unique niche in the Berlin music scene ever since she founded her label back in 1999, fast forward 15 years later and she is now at the vanguard of underground clubbing culture. In essence, she’s a noteworthy talent that is not to be missed. She’ll be taking to the ones and twos over by the mulletover stage beside tINI and Mano Le Tough.

Steve Lawler

With his gang of Warriors firmly in tow, Steve Lawler is one of the heavyweights playing at this year’s Eastern Electrics. A child of the acid house generation, he is a DJ who’s career is steeped in history and clout. He was behind the infamous M42 raves back in the ‘90s and went on to be resident at The End in London, Twilo in New York and Space in Ibiza. These days, when he’s not running VIVa MUSiC or touring the globe, he can be found at the helm of VIVa Warriors in Sankeys Ibiza every Sunday; tearing up the basement like no one else.

Dense & Pika

Hotflush stalwarts Dense & Pika are among a host of exciting talents heading up the Rinse FM stage alongside Agoria, Daniel Avery, Loefah and more. When the musical minds of Alex Jones and Glimpse collide under their Dense & Pika moniker, the duo presents a cleverly crafted yet candidly tough strain of techno – something that’s reflected in their recent remixes of Maya Jane Coles and Paul Woolford as well as their DJ sets.

Derrick Carter

Mr. Derrick Carter is a man who needs no introduction yet he certainly warrants one. He is a true pioneer in the Chicago house movement and has been firmly flying it’s flag for over twenty years now. He founded the prestigious Classic imprint back in 1996 with Luke Solomun and has always brought a fresh and unquestionably unique sound to the proceedings. As a DJ, you never quite know what to expect from him. Whether he’s proudly flaunting a stack of obscure disco records or reaching for some ass-shaking, body-jacking B.H.Q cuts - he never fails to get the people moving from head to toe.

Craig Richards

Craig Richards is an institution. The man mixed the very first fabric compilation in 2001 and today deservedly finds himself the club’s musical director. His Saturday night (or is it Sunday morning?) sets at the London club are the stuff of legend and this is a unique opportunity to see the him bring his unique blend of dubby house and funky techno to Eastern Electrics at Kubicle’s VIP Arena.

Eastern Electrics takes place Saturday, August 2nd at Hatfield House in London. For more info and tickets, head here.

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An Intergalactic Interview with Moon Boots

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US-based Moon Boots is arguably the most enigmatic pillar of the French Express imprint. A classically trained piano player, these days he produces music aimed at protecting the feel-good and promoting euphoria. Armed with a stockpile of synths, Moon Boots is quickly cultivating a catalog that boasts immaculate production methods, emphasizing interesting edits and incorporating captivating samples. Last year’s unofficial remix of CHVRCHES’ “The Mother We Share” surpassed a million plays on SoundCloud, and he recently put out an official remix for one of his personal heroes, Nile Rodgers. With a mind for making music, his head somewhere in space, and his sights set well beyond the stars, we know Moon Boots’ musical journey has only just blasted off.

You grew up in Brooklyn and Connecticut, went to Princeton for school, moved to Chicago, spent a stint in Berlin, and now are back in Brooklyn, right? How has living in each of those cities reflected in your music? What made you decide to move back to the states from Berlin? That is all true! Well, I guess I have lived in a bunch of places, but I never felt like I stuck to a regional sound. I never played in a Sublime cover band in Connecticut, never sang a capella at Princeton, never made minimal techno in Berlin, never played noise rock in Brooklyn, etc. Chicago has had the biggest impact on me by far, but even still, not many of my tracks would be considered proper "Chicago House."

But if I were to look at it another way, all these places have had a huge effect on me. Brooklyn is where I had my first musical memories, up until I was 11, and it is still a very inspiring place to live. Connecticut's where I got into synthesizers, and Princeton is where I first started buying records and obsessing over dance music. It’s a bit ironic, but there's a great record store there. Chicago is where I learned to produce and DJ, and Berlin gave me a fresh perspective on house music and clubbing.

As for moving back from Berlin, I loved it, but I think I'd be doing a disservice to real ex-pats by saying I lived there. I stayed there for about five months with Isaac Tichauer last summer and fall and was out doing shows around Europe almost every weekend. It was fantastic.



Your music has strong ties to R&B. Any artists, songs or albums that hold particular significance for you? Some of the first music I remember hearing was from Michael Jackson or Motown compilations and I'm grateful for that. I think Teddy Riley, Leroy Burgess and Nile Rodgers are absolute geniuses too, just to name a few.

Your work incorporates a lot of synths that really stand out. What are some of your favorites to use and why? Roland Juno HS-60: This isn't the first synth I ever bought, but it's the one I've owned the longest... ten years now. I've had to slim down my gear over the years when money got tight, but my HS-60 has been an absolute tank and I still love it and use it all the time.

Moog Voyager Rackmount: I've only owned this for about two years, but since I've owned a couple of cheaper Moogs, like the Realistic, Prodigy and Lil Phatty, not to mention used lots of Minimoog-style VSTs such as Arturia Minimoog, GForce Minimonsta and u-He Diva -- it feels like I've had it much longer. Pretty much all of my bass lines come from this.

u-He Diva: Even though a lot of people I know are all about Sylenth, I could never get into it. Diva's easy to use and sounds great. It will often make up a big chunk of the tracks in my original MIDI demo/sketches but a lot of the sounds from this VST will make their way onto the final mix, too. One of these days I'd love to splurge on a Jupiter 8 with MIDI, but until then I'll be using this a lot.

Roland D-550: I just got this a couple of months ago so maybe I should file this under future favorites. I've been using the M1 and FM8 VSTs a lot for the past few years, and this one complements those very well. It has a lot of great unique sounds of its own.

You've expressed your disdain for the term 'nu disco' in past interviews. What would you choose to label it that you think better encompasses the sound? I'm rather fond of 'Cosmic Disco' myself. I wish I had a better name but I don't. Sometimes when I hear the term "Nu Disco" it makes me think of "Nu Metal," which then makes me sad. "Cosmic Disco" is nice, but to me that brings to mind music that is a bit more European and more heady than mine -- a little less for the dance floor, and more removed from soul music and the kinds of vocals and jazzy harmonies I love.



I love to listen to a lot of stuff that you might call "Cosmic Disco." But I guess the problem I have with this question is that it implies that everyone only makes, or everyone should make, only one genre of music. Some of my tunes are more "nu disco," for lack of a better word. [But] some are more house and some [even] verge on pop.

You just released an official remix for Nile Rodgers'"Do What You Wanna Do." How did that come about? It must have been both incredible and surreal to work with one of your personal heroes like that. It was pretty ordinary, unfortunately! The label rep got in touch with my manager, and it was all very typical and by the book. But what is kind of cool is that Nile also lives in Westport, the town in Connecticut I grew up in, and I used to see him around town when I was a kid. 

Do you have any favorite space-centric flicks you like to watch? Solaris, The Right Stuff, Muppets in Space.

What's your favorite outer space entity? The Moon or the Perseus cluster.

What are your thoughts on extraterrestrials? Ever seen a UFO? I haven't, but I think there's at least one other planet out there with the outrageous amount of technology you would need to travel entire solar systems and galaxies. I hope there is, I think it would be very cool.

Moon Boots’ Upcoming Dates:
08-Aug Miami, FL @ Bardot
09-Aug Palm Springs, CA @ Splash House
10-Aug Baltimore, MD @ Moonrise Festival
14-Aug Brooklyn, NY @ Verboten
15-Aug Somerset, WI @ Summer Set Festival
16-Aug Newport Beach, CA @ Pacific Festival
21-Aug Paris, France @ Social Club
22-Aug London, UK @ The Nest
23-Aug Brighton, UK @ Audio
25-Aug Ibiza, Spain @ Sankeys

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Diplo & Skrillex Working on ‘Jack U’ Mixtape

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Last month, Diplo hinted on Twitter that he and Skrillex were working on an album together as their Jack U side project. Diplo revealed more information about the duo’s plans in his Reddit AMA yesterday, where he confirmed that they are working on a mixtape.

He also said that their first single will be “Take You There” featuring vocals from Canadian artist Kiesza. The song has been played at a Paris show, as seen in the video below. Diplo hopes to share the new track with fans soon. “I wanna try and get a stream out this week,” he wrote.

Jack U premiered a lot of new material at this year’s Ultra Music Festival in Miami when they took the decks at the main stage.

Listen to Skrillex on Pulse Radio

Jeremy Olander Returns To Australia For Headline Tour

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After wowing Aussie crowds as support for Eric Prydz during the Pryda boss' visit back in March, Jeremy Olander is returning to the country in October for a headline tour.

Olander's career began when Prydz signed the then 23-year old up for three release deal on Pryda after being blown away by one of his productions. Jeremy has since gone on to become a much in-demand producer and DJ in the Pryda stable with his own take on 'modern progressive house'.

Olander will play Brisbane, Gold Coast, Melbourne and Sydney across two weekends in October. Details below.

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Rhythm And Vines Announces 2014 Lineup

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New Zealand festival Rhythm and Vines has announced the first round of names for its 2014 edition.

Electronic music and hip-hop features heavily on this year's bill with big names such Just Blaze, Ta-ku and Belgian drum and bass producer Netsky alongside the likes of Jagwar Ma, Addison Groove and KiNK (live).

Rhythm and Vines takes place at Waiohika Estate in Gisborne on the North Island on December 29-31. Running since 2003, the festival began as a one day event on New Year's Eve until 2008 when it expanded to the three days. Check the first round announcment below.

Rhythm and Vines 2014 First Line Up Announcement
Bastille
Netsky (Live)
Zane Lowe
Chet Faker
Danny Brown
Action Bronson
Just Blaze
Ta-ku
Jagwar Ma
London Elektricity & MC Wrec

DC Breaks
P-Money
Mr Carmack
Etc!Etc!
The Cuban Brothers
State Of Mind
Addison Groove
Ayah Marar
PNC
KiNK (live)
Meta and the Cornerstones
Little May
Midland
The Funk Hunters
Estère
Kamandi
Team Dynamite
Third3ye
Young Tapz
Yumi Zouma
Holly Arrowsmith

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Watch The Prodigy Destroy A Crowd With 'Firestarter' In 1996

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It's Throwback Thursday and you know what that means; time to get all warm and fuzzy with something nostalgic.

It's 1996 and The Prodigy have just scored their first UK #1 hit with their breakthrough single 'Firestarter', which transforms former dancer Keith Flint into a frontman and throws him and the band into the worldwide spotlight.

Liam, Maxim, Keith, Leeroy and guitarist Gizz Butt come onto the stage at Phoenix Festival in Stratford-Upon-Avon during a July heatwave and proceed to rip an already raucous crowd to absolute shreds. Then they perform 'Firestarter' and all hell breaks loose.

Check out the amazing and raw rendition below with the crowd going absolutely bananas in the final stretch of the song.

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The Prodigy Destroy A Crowd With 'Firestarter' In 1996

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It's Throwback Thursday and you know what that means; time to get all warm and fuzzy with something nostalgic.

It's 1996 and The Prodigy have just scored their first UK #1 hit with their breakthrough single 'Firestarter', which transforms former dancer Keith Flint into a frontman and throws him and the band into the worldwide spotlight.

Liam, Maxim, Keith, Leeroy and guitarist Gizz Butt come onto the stage at Phoenix Festival in Stratford-Upon-Avon during a July heatwave and proceed to rip an already raucous crowd to absolute shreds. Then they perform 'Firestarter' and all hell breaks loose.

Check out the amazing and raw rendition below with the crowd going absolutely bananas in the final stretch of the song.

Listen to Pulse Radio


Watch The Prodigy Destroy A Crowd With 'Firestarter' In 1996

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It's Throwback Thursday and you know what that means; time to get all warm and fuzzy with something nostalgic.

It's 1996 and The Prodigy have just scored their first UK #1 hit with breakthrough single 'Firestarter', which transforms former dancer Keith Flint into a frontman and throws him and the band into the worldwide spotlight.

Liam, Maxim, Keith, Leeroy and guitarist Gizz Butt man the stage before David Bowie at Phoenix Festival in Stratford-Upon-Avon during a July heatwave and proceed to rip an already raucous crowd to absolute shreds. When 'Firestarter' drops, all hell breaks loose.

Check out the amazing and raw rendition below at 35:30 with the crowd going absolutely bananas in the final stretch of the song.

Listen to Pulse Radio

A Chat With Aussie Legend Phil Smart

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This weekend one of Australia's legendary and pioneering DJs, Phil Smart, returns to his former home town of Sydney to play all night long for Picnic's One Night Stand party at The Imperial Hotel. In anticipation, Juanita Manjana, AKA Jono Ma fromJagwar Ma, has a chat with his old pal Phil about his new life in Newcastle, his time as a Sydney DJ in the 90s, Burning Man, Boggle and plenty more.

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So am I right in assuming you spend most of your time managing a cafe? How’s it going? Phil Smart: I play my part in running the café, but I’m mostly behind the scenes. My wife is the hospitality superstar. I spend a lot of time being a Dad, and on music stuff at the moment.

Which album or compilation has the highest play count in the cafe? No particular album, but the dub playlist definitely gets the biggest workout. For me, dub is a winner any time, anywhere. We do push boundaries with what we play in the café though. We want to bring people great food and coffee, but we also want to nourish them in other ways, with great music and great reading material as well.

If I dropped by the cafe for brunch, what’s the most annoying thing I could possibly order? Some people basically try to reconstruct a menu item so it barely resembles the original. That can be kind of annoying, for the chefs at least.

Ok. You’re at the cafe. It’s peak hour, full of loud, self-righteous hipsters ordering crazy hybrid coffees and quinoa bagels. Do you ever have a Talking Heads moment and think to yourself, “How did I get here?” Not really, it just kind of happened. I fell into it through my wife, but it’s funny how many DJs have gotten into the food industry.

For those who don’t know, you were considered one of the greatest techno/house DJs to surface in the 90s and 00s in Australia. UK legends like Sasha and Digweed were convinced you were a DJ prodigy. Do you ever think you picked the wrong city by stomping it out for so long in Sydney, Newcastle and Byron? Do you ever think London, San Francisco, Berlin might have welcomed your talents with higher praise? I came so close to moving to San Francisco many times, but at the end of the day I always had this thing about staying in Australia and helping things move forward here. I figured that if all the good people left, who would help push it along? I also always struggled with the weather in Europe and northern California, especially in the winter. It suited me to escape the southern winter and head north every year, chasing the perpetual summer. Plus I like the ocean too much.

Your father was a conductor and a classical musician. Do you think that has influenced you or translated to the way you work as a DJ? Most definitely. Being brought up around music and musical instruments all the time, it was total immersion. My parents even started a series of music camps, and when I was younger I would spend half my summer holidays at camp, so I was this little kid hanging around, and the older kids took me under their wing. I got to try pretty much every instrument there is. My main instrument was trumpet/cornet though, so there was also a lot of brass band and marching band, which may be where my love of 4/4 comes from. And as a trumpet player in an orchestra, you get to count a lot of bars of four. Good DJ training! You’d play a few notes, count for 64 bars, play a couple of more notes, count another 96 bars, play a few more, etc. Trumpets didn’t get a lot of action there. In brass bands on the other hand, we were like the violins!

Do you hear popular dance music at the moment and think, how did it get here?. Do you feel club music in Australia was more ‘sympathetic' back in the 90s and 00s? I always think that about popular dance music. I kind of always had an aversion to popular music in general, I was always trying to find something different. I still am! I don’t know that it was any more sympathetic back then, the commercial thing is always there, but our crew was always pushing hard to play forward thinking, different music. That’s one reason we threw our own parties, so we could play what we wanted to. That’s one of the reasons we’re now doing our ColourSound night in Newcastle.

Do you still collect vinyl or have you converted to digital formats solely? Do you feel like one is superior? I haven’t bought a piece of vinyl in a long time. I’m still playing CDs, which I’m totally comfortable with. I never quite made the transition to Traktor or USB or hard drive or whatever, I guess I still like a little bit of the physical element that CDs bring. Although for me one of the biggest things I miss about vinyl is the visual aspect that helps me remember and connect to tunes. I do always play WAV files rather than mp3s, but without a doubt vinyl sounds better.

Do you prefer DJing with wax on turntables or are you indifferent to the evolution of the CDJ? Will you be playing any vinyl at One Night Stand? I’d prefer to still play vinyl, but for someone like me, it works to play digital. As I’m not playing all the time, I couldn’t even afford all the vinyl I would want, and there aren’t any record stores in Newcastle so it’s great that I can be at home and have all this music at my fingertips. I do miss the social and personal element of record shopping though, especially considering my background working at Reachin Records.

I’ll be playing a little bit of vinyl at ONS though. A few classic tracks and a few cuts that were ahead of their time that seem to fit in the now.

I used to always take at least a few records with me when I played, but it got to the point where every time you turned up at a club, the turntables wouldn’t be set up properly, there’s never any needles or slip mats, and there’s CD wallets and laptops and stuff strewn everywhere, so I just gave up bringing vinyl.

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You’ll be playing all night at One Night Stand. If someone could only make it to the show for two hours, which two would you tell them to be around for? Great question! I think anyone that knows me as a DJ will know that I really like playing the later part of the night even more than peak time, like the 3-5 slot, when everyone’s a little more ‘malleable’, let’s say, and you can get a bit deeper and/or twisted.

When you think back to Tweekin’ do you feel like something special was happening? Or do you look back on it like just another club night, no different from whatever is at Club 77 at the moment? I knew for sure that it was something special. I used to go play around the world or whatever, which was great, but there was nothing like coming back to your home club, where people really knew you, and trusted you for the journey.

I’m really proud of the spirit of community and friendship that came out of that club as well. I know plenty of people who met there and are now married with kids, or made lifelong friendships, like you and I. It was so down to earth and fun, and it really was about the music.

In three words tell us how you feel about EDM. Go! Same. Old. Story.

OK, for those who don’t know, you're not only an exceptional DJ but also the undefeated Boggle Champion of South Dowling Street. Do you still play boggle with your family? What’s your secret to boggle success? Is there a link between boggle and techno? The only link is that I don’t play a lot of words in my techno, so maybe I save that for the Boggle. We played a lot of board games growing up and I really liked the word games, partly maybe because I read a lot. I haven’t really played Boggle with my family, I think they’re too scared. But they finally came close at beating me at Scrabble, so maybe it’s time to bring out the Boggle!

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You’re what one would call a ‘Burner’. I understand this is someone that frequents Burning Man Festival. Do you think the Burning Man experience would have a positive affect on everyone or is it only for a certain type? I don’t think it’s necessarily for everyone, but I think most would get something positive from it. I mean it’s such a different experience from anything else you could do, and I definitely think that things like leave no trace, decommodification and the gift economy are some of the most profound differences that make a burn a unique type of gathering.

I’ve seen people flame out, I’ve seen someone basically have their serious OCD cured after trying to keep their RV clean and eventually giving up after a few days, and I’ve seen people have epiphanies that have altered the course of their life. For many people it really is a life changer. It was for me, and still is.

Do you think Burning Man could ever work in Australia? It already is! I’ve been pretty heavily involved in setting up the Australian regional burn, called Burning Seed, and now we’re coming up to our fifth burn in October. Last year was really special, and this year is shaping up to be even more so. It’s easily one of the most important things I’ve ever been involved with, and another reason I feel that it’s important that I stayed in Australia.

If you were a character from Wind In The Willows, who would you be?
I haven’t actually read that book, so I did an online survey and I got the Mole. Is that a good thing? I guess he must spend a fair amount of time underground, right?

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Robert Babicz Plays Melbourne And Sydney In September

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Polish-born, German based producer Robert Babicz is returning to Australia for two gigs in September.

Babicz continues to be an in-demand live performer, with a constant touring schedule that sees him play the world's top clubs and festivals. Babicz is no stranger to Australian shores, having performed the country every year since 2011. His last album was the acclaimed 2013 LP, 'The Owl And The Butterfly'.

Babicz plays the Strawberry Fields launch party in Melbourne on Friday September 6th at Brown Alley, followed by Nights Like This! at The Arthouse in Sydney on Saturday 7th (buy below).

Robert Babicz 2014 Australian Tour Dates
06.09.14 - Strawberry Fields Launch Party, Brown Alley, Melbourne
07.09.14 - NightsLikeThis!, The Arthouse, Sydney [BUY]

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Here’s Your Trance, Now Dance: The Rise Of The Australian Psytrance Scene

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Australia’s psytrance and doof scene is fast gaining momentum, attracting people from all walks of life and moving beyond its connotations with hippie stereotypes. Pulse's Sally Westlake finds out more.

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The velocity calms for a voice to rise from the speakers, “How can we exist but not in terms of flowing in direction? There may be only this now, this individual now, and now and now and now…”. The energy re-consumes, and you’re dancing blissfully in a trance until a man in a pink wig jolts you awake by offering you something brownish in a crushed up bottle. If this scene sounds familiar, then perhaps you too have been to the other side; somewhere in the Australian psytrance scene.

It’s an interesting time for Australia’s psytrance and ‘doof’ scene, essentially niche and underground events that have begun to grow in both popularity and media attention. For many people these events are an important, safe environment for free and true expression, and this vibe really depends on the crowd.

It’s true; multi-day camping in often isolated and harsh conditions, combined with total inhibition and intense psychological music banging 24-7, is not for everyone. It’s an environment that breaks down walls…and some people have weird shit behind their walls.

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It’s generally the ‘hippie’ subcultures who frequent these parties, but you have to wonder what draws a stereotype typically associated with worn guitars and daisy chains to one of the most extreme genres of electronic music. Further, what’s attracting the broader streams of the Australian population?

“I think the scene has grown to a point where there is an oversaturation of clubs and events that are just following the same formula,” says Earthcore founder Spiro Boursine. “The outdoor scene doesn’t have a formula. It creates a whole new world for people to escape to and have the time of their lives. The sense of adventure is still a huge drawcard.”

In 1993, Boursine and a crew of 200 like-minded friends from the underground Melbourne scene headed into the Australian bush, which then grew into what is now considered the country’s biggest bush doof some 20 years later. In a sense, Boursine and his first crew of Earthcorers gave birth to an entire scene. The Australian doof community has since grown to include names as big as Strawberry Fields and Rainbow Serpent, as well as countless of independently run parties in every state across the country.

While the mainstreaming of these events is a concern in the traditional psytrance community, it’s unknown whether keeping these events exclusive is either sustainable or necessarily desirable. As long as newcomers have an open mind and respect for the scene’s integrity, perhaps the more the merrier? Pick up your rubbish, don’t be annoying and do not by any means be suppressive. Wearing an awesome costume also helps.

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Boursine sees the expansion of the scene as a positive: “It has been great to see a new generation of doofers who have a genuine love for the music and the scene. It’s easy for older party folk to get jaded and cast a shadow over people but in reality, the new generation are injecting new life and energy into the scene.”

Charlotte, a good friend of mine and a passionate doofer, probably sums up what draws many people to the scene when she says; “the freedom of self-expression, the lack of judgement and the escape from society always lures me…the people, the music and the vibe allows you to let go of the daily grime and re-connect with yourself, like a musically enhanced meditation.” Her comment reminds me of a mantra: “Trance isn’t just music, it’s a state of mind.”

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Rob Bennett, a leader of trance seminars and workshops across Germany and Europe provides the best insights on the subject.

“We all have a deep longing and need for ecstatic experience,” he says. “We spend a great deal of our lives thinking, planning, talking, reading- being rational. Even when we take time off we tend to fill it with activities where our brain waves are predominantly within the rational; thinking beta frequency range. We need a break, time-out from concentration and rationality. We need to experience states of trance or ecstasy in our waking lives, as a balance to all that thinking.”

Meditation, chanting mantras, guided imagery, hypnosis and yoga are among the methods humans have developed to help reach the Alpha state, however according to Bennett, the oldest practice is the “trance dance”.

It may not be something we think about consciously, but our love of the ‘ecstatic’ and trance-inducing dance could be in our blood and bones. You know that uncontrollable urge to get yourself to an all-encompassing soundsystem and dance the night away (even when you have work in the morning)? Our earliest ancestors felt that too. In many primitive societies, ecstatic dance rituals were an important part of life. Many are still practiced today; the Australian Aboriginal unity dance, the Sufi whirling dervishes, and the Masai of Kenya’s Adumu dance.

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Imagining our ancestors stomping around a fire, swaying into a feeling of oneness, reminds me of experiences at psytrance parties. The perfectly torn clothes sold at doofs might be expensive, but barefoot stomping around the fire is alive and well. It just has more lasers now. There is something inexplicitly tribal about these gatherings. Maybe it’s nature’s release bringing us back to our carefree roots, or perhaps it’s the psychoactive substances that has people rolling around in the dirt.

It’s true that any music that really resonates with someone could probably induce such a state, and while I can definitely get pretty ecstatic via techno and other flavours of EDM, psytrance parties seem to be just made for it. It is called ‘psytrance’ after all. It induces a psychological trance, man.

As Jack, a visionary artist with ten years experience in the scene says, “The really good psytrance artists take you on an adventure. They have specifically set up their set to take you and your mind to a different plane. It’s intelligent music made by intelligent people for an intelligent purpose - there’s intention to the music.”

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There is a reason doofs are known as ‘transformational festivals’. A strong emphasis on sustainability, well-being, performance, art, workshops and seminars are just some of such channels on the sidelines of the dancefloor.

As Jack says: “Some people go there and get bombarded to open up, and at the end of a four day festival they’re like ‘Whooooo!’ and running around in the mud. Then they go back home thinking, ‘Oh god, what was I doing?’ Well, you opened up!”

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The amplification of the scene also brings to it new talents like progressive psytrance duo Triforce, whose mystic overtones and trippy visual shows have made them popular in the NSW doof scene. They even scored a spot on the Strawberry Fields festival last year.

When asked about their transition into the scene, their response highlighted the appeal for both musicians and their followers.

“The very act of disconnecting from the capitalist consumer machine that is western society and returning to nature to transform through ecstatic dance is inspirational and empowering on any level.”

“The freedom and connectedness you experience dancing with a huge group of open minded, barefoot nature lovers is transformational...after our first experience we felt very strongly that it’s where we needed to be.”

If you too feel the pull to join in, break down your walls and experience the psytrance induced state and spirit of these events, all that is required is that you come with an open mind and respect for the vitality of the scene. For many of us feeling the weight of those sturdy walls of established culture, an ecstatic trance under the stars is just what we need to survive…and thrive.

Listen to Pulse Radio

ALT Brings Trance Royalty To Carfax

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On the 13th of September 2014, ALT-ERNATIVE PRODUCTIONS will be hosting three international artists and no less than three dance floors of mindblowing, multi-genre craziness for one night only at one of Jo'burg's original and dearly loved venues Carfax in Newtown. 

Listen below to what you can expect from the three brilliant international acts headlining this superb event. 
   

MAJOR 7 (Israel)
  
 

X- NOIZE  (Israel)

  

OXIA (France)


A cast of SA's finest electronic artists have been selected as supporting line-up on the night. Check out the full list below. 

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ALT- ERNATIVE STREET FLOOR

MAJOR 7 (Israel)
X-NOISE (Israel)
Niskeron
Das Kapital
Grimehouse
Sedge Warbler
Tha Cutt
Vindicate

DEEP TOWN FLOOR

OXIA (France)
Zola Budde
Andi Dill 
Metro Ticket
D'Ritmo
Pimp Squad
Stef C

DRUM & BASS DEN

Adamski
Mr Mon
Benson
Mr Green
King Rat
Menticide

Listen to Pulse Radio 

DJ T. mixes Body Language Vol. 15

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Get Physical founder DJ T. steps up for the 15th edition of the label's mix compilation series.

Since the mix series began 9 years ago, artists such as Dixon, M.A.N.D.Y., Modeselektor, Dixon, Matthew Dear, Catz ‘n Dogz and DJ Hell have all taken part.

For his second Body Language run, DJ T.'s 78 minute, 20-track mix contains both older and contemporary material from the likes of Leon Vynehall, Oskar Offermann, Tuff City Kids and Tom Trago, among many others, including edits made especially for the compilation, for a deep, hypnotic and well crafted selection.

Hard copies of the mix will be limited to 1000 only, and those who buy the CD will also be able to download the tracks and the mix for free.

Tracklist:
01. Andre Salmon - Where Is The Salmon
02. Die Vogelperspektive - Bataki
03. Jay Shepheard - Otter Bronze
04. Martin Zadak - Zahara
05. Tom Trago - Sky High feat. San Proper (Vocal Dub Mix)
06. Youandewan - FM Jam
07. Tapesh & Kevin Over - NY Drive (With A Little Help From DJ T. Edit)
08. Paolo Rocco - People Say (DJ T.'s Dub Edit)
09. Daniel Bortz - Pictures (Tuff City Kids Dub Mix)
10. Franck Roger - Don't U Know
11. Oskar Offermann - Fluffer (Russ Yallop Edit)
12. FreakMe - Could Not Stop It (Acid Mondays Remix)
13. Leon Vynehall - Pier Children
14. Graze - Skip/Crush
15. The Jaydes - Tears & Fears (David K Drunky Bird's Tears Remix)
16. Talaboman - Sideral (BCN Version)
17. The White Lamp - Ride With You (ItaloJohnson Remix)
18. Parris Mitchell - The Track Stars (Nina Kraviz Remix)
19. Seuil - Rain On The Circus
20. Lake People - Night Drive

Get Physical Music Presents: Body Language Vol. 15 By DJ T. will be released on Get Physical Music on 10 October 2014.  

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Sonar Cape Town To Bring A Taste Of Sonar To Johannesburg

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Cape Town's Sónar Festival returns thanks to SEED Experiences. Not only are they going to be doing the festival in Cape Town, but SEED Experiences have just announced that they will be bringing some of the artists up to Johannesburg for A Taste of Sonar.

Seed Experiences will start announcing the international and local lineup soon.   

Here is a teaser for Sónar Festival Cape Town 2014

Sónar Festival is a three day festival aimed at exploring trends in electronic music art and video and is a great place for industry professionals to network and to gain international knowledge, and also to impart some of our knowledge to the international community. The festival will be hosted at the Cape's Good Hope Centre. More information about the mini-fest "A Taste of Sónar" will be announced soon. 

Listen to Pulse Radio


Fresh Blood: Admin Draft

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For 8 years now, award winning Bristol promoter Just Jack has been bringing the UK some of the most eclectic and forward thinking nights around. So it’s no surprise that their booking agency, Jack Music, hand picks ear catching, unique underground talent like Bristol’s Admin.

With releases on labels like Stamp The Wax and Futureboogie, and sets that are light-years ahead of his experience level, Adam Wickens is steadily making a name for himself in Bristol and beyond. His recent Monday Morning Mixtape, full of expertly selected 1970s smooth jazz from North America, stood out so much that we immediately reached out for a Fresh Blood mix, which you can listen to and download below.

How did you get into electronic music? I used to listen to reggae and stuff with my friends, which kind of progressed into listening to jungle and dub and I continued to branch into other genres over time. I have always tried to listen to as much music as I can, not sticking to any particular genres as such but electronic music is more accessible to the bedroom producer think, at least at first.

We loved your Monday Morning Mixtape. How did you discover so much soulful music? Through recommendation or conversation with friends, family and anyone I meet at festivals or gigs and what not. Vinyl shop digging or searching for samples, or through YouTube surfing or Spotify and other such things. I think this generation is lucky to have such a huge catalogue of music so readily available to listen to, but you do have to put a bit of research in.

What's your studio setup like at the moment? Are you an analogue fan? I’ve been messing with sampling a lot more recently and different methods of recording my vinyl, so I have my record player between my monitors with my laptop to one side at the moment. I have a little drum machine that has made appearances in a few tunes and of course I would like to build up a collection of analogue equipment over time. An MPC and 909 or something would be nice!

I understand you used to play the trumpet. Do you use it or any other live instrumentation in your productions? I haven't busted out my old trumpet in a long, long time, but it was definitely the gateway into my love for music and music production. It helped me to read music and gain a good ear for what I like to listen to. I have recently been working on some collaborations with Andy Compton, a brilliant deep house producer and a wizard on the guitar. We have some tracks where he has been jamming along that sound great, so yeah I definitely hope to include more instrumentation where I can.

What else is on your horizon for 2014? I’ve been working on a lot of solo projects but I have also started to collaborate with some exciting producers such as the previously mentioned Andy Compton, but also Wolf Music and Futureboogie affiliate, Thrilogy. The collaborations really give me the opportunity to learn about what other producers are doing and feeling, and to keep trying and listening to new things. I am also looking forward to few more gigs around Bristol, such as Simple Things festival on the 25th October.

Can you tell us about the Fresh Blood mix you provided for us? This one is a deep, raw and rolling house mix for a sunny day.  

Listen to Pulse Radio.

Pan-Pot Discuss The Evolution Of The DJ Set With Traktor

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Native Instruments are industry leaders in DJ controllers and software. Traktor is at the forefront of changing how the concept of the DJ set is shifting. Live remixing has become an essential part of each DJ's unique style.

In this episode of Native Instruments informative and instructional web-casts Berlin's Techno producers Pan-Pot discuss how the equipment allows for more flexibility and creativity whilst DJ'ing on  the fly.  

Listen to Pulse Radio

Test Test

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Ut nunc orci, tristique a nisl rutrum, posuere euismod lectus. Cras sed tellus non arcu rutrum lobortis. Nulla gravida ante vel augue commodo, ut rhoncus turpis imperdiet. Aliquam euismod neque eget eros gravida cursus. Vestibulum bibendum gravida felis eget feugiat. Donec rhoncus lobortis auctor. Quisque tempus feugiat tempor. Vestibulum adipiscing libero euismod, vehicula arcu ut, porttitor lacus.

 

 

Fresh Blood: Test

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For 8 years now, award winning Bristol promoter Just Jack has been bringing the UK some of the most eclectic and forward thinking nights around. So it’s no surprise that their booking agency, Jack Music, hand picks ear catching, unique underground talent like Bristol’s Admin.

With releases on labels like Stamp The Wax and Futureboogie, and sets that are light-years ahead of his experience level, Adam Wickens is steadily making a name for himself in Bristol and beyond. His recent Monday Morning Mixtape, full of expertly selected 1970s smooth jazz from North America, stood out so much that we immediately reached out for a Fresh Blood mix, which you can listen to and download below.


How did you get into electronic music? I used to listen to reggae and stuff with my friends, which kind of progressed into listening to jungle and dub and I continued to branch into other genres over time. I have always tried to listen to as much music as I can, not sticking to any particular genres as such but electronic music is more accessible to the bedroom producer think, at least at first.

We loved your Monday Morning Mixtape. How did you discover so much soulful music? Through recommendation or conversation with friends, family and anyone I meet at festivals or gigs and what not. Vinyl shop digging or searching for samples, or through YouTube surfing or Spotify and other such things. I think this generation is lucky to have such a huge catalogue of music so readily available to listen to, but you do have to put a bit of research in.

What's your studio setup like at the moment? Are you an analogue fan? I’ve been messing with sampling a lot more recently and different methods of recording my vinyl, so I have my record player between my monitors with my laptop to one side at the moment. I have a little drum machine that has made appearances in a few tunes and of course I would like to build up a collection of analogue equipment over time. An MPC and 909 or something would be nice!

I understand you used to play the trumpet. Do you use it or any other live instrumentation in your productions? I haven't busted out my old trumpet in a long, long time, but it was definitely the gateway into my love for music and music production. It helped me to read music and gain a good ear for what I like to listen to. I have recently been working on some collaborations with Andy Compton, a brilliant deep house producer and a wizard on the guitar. We have some tracks where he has been jamming along that sound great, so yeah I definitely hope to include more instrumentation where I can.

What else is on your horizon for 2014? I’ve been working on a lot of solo projects but I have also started to collaborate with some exciting producers such as the previously mentioned Andy Compton, but also Wolf Music and Futureboogie affiliate, Thrilogy. The collaborations really give me the opportunity to learn about what other producers are doing and feeling, and to keep trying and listening to new things. I am also looking forward to few more gigs around Bristol, such as Simple Things festival on the 25th October.

Can you tell us about the Fresh Blood mix you provided for us? This one is a deep, raw and rolling house mix for a sunny day.
 

 

Fresh Blood: Admin

$
0
0

For 8 years now, award winning Bristol promoter Just Jack has been bringing the UK some of the most eclectic and forward thinking nights around. So it’s no surprise that their booking agency, Jack Music Agency, hand picks ear catching, unique underground talent like Bristol’s Admin.

With releases on labels like Glasgow Underground and Futureboogie, and sets that are light-years ahead of his experience level, Adam Wickens is steadily making a name for himself in Bristol and beyond. His recent Monday Morning Mixtape, full of expertly selected 1970s smooth jazz from North America, stood out so much that we immediately reached out for a Fresh Blood mix, which you can listen to and download below.

How did you get into electronic music? I used to listen to reggae and stuff with my friends, which kind of progressed into listening to jungle and dub and I continued to branch into other genres over time. I have always tried to listen to as much music as I can, not sticking to any particular genres as such but electronic music is more accessible to the bedroom producer think, at least at first.

We loved your Monday Morning Mixtape. How did you discover so much soulful music? Through recommendation or conversation with friends, family and anyone I meet at festivals or gigs and what not. Vinyl shop digging or searching for samples, or through YouTube surfing or Spotify and other such things. I think this generation is lucky to have such a huge catalogue of music so readily available to listen to, but you do have to put a bit of research in.

What's your studio setup like at the moment? Are you an analogue fan? I’ve been messing with sampling a lot more recently and different methods of recording my vinyl, so I have my record player between my monitors with my laptop to one side at the moment. I have a little drum machine that has made appearances in a few tunes and of course I would like to build up a collection of analogue equipment over time. An MPC and 909 or something would be nice!

I understand you used to play the trumpet. Do you use it or any other live instrumentation in your productions? I haven't busted out my old trumpet in a long, long time, but it was definitely the gateway into my love for music and music production. It helped me to read music and gain a good ear for what I like to listen to. I have recently been working on some collaborations with Andy Compton, a brilliant deep house producer and a wizard on the guitar. We have some tracks where he has been jamming along that sound great, so yeah I definitely hope to include more instrumentation where I can.

What else is on your horizon for 2014? I’ve been working on a lot of solo projects but I have also started to collaborate with some exciting producers such as the previously mentioned Andy Compton, but also Wolf Music and Futureboogie affiliate, Thrilogy. The collaborations really give me the opportunity to learn about what other producers are doing and feeling, and to keep trying and listening to new things. I am also looking forward to few more gigs around Bristol, such as Simple Things festival on the 25th October.

Can you tell us about the Fresh Blood mix you provided for us? This one is a deep, raw and rolling house mix for a sunny day.  

Listen to Pulse Radio.

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