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NYE Electric Ball feat. Big Boss Carl Cox Expands the floor

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New Years Eve is just around the corner and Electric Music is putting the final touches to the production and line-up of the event of the year. The Electric NYE Ball featuring the King of electric music, Carl Cox, is expanding to include another dancefloor, the Red Bull Studio Floor, featuring the best of the Red Bull Studio DJ's that you already know and love. 

Everything you need to know can be found on their website www.electricmusic.co.za.
You'll also be able to get the first look at the anticipated line-up! 

Listen to Carl Cox on Pulse Radio 

 


Premiesku

IN A CLOUD: The Rooftop Excusive

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The view from above is always better. It provides perspective, a fresh outlook, the gathering of appreciation, understanding as well as the solution to a way forward.

In a cloud all fear is lost, hidden behind your dreams, ambitions and life's most cherished experiences. Everything appears clearer as the horizon appears larger, welcoming and sensual. We take a bird’s eye view from the city scrapers to unify culture and dance on the 22nd floor in Braamfontein, Johannesburg. 

The Randlords' venue situated on the 22nd floor of the South Point Tower provides a 360• degree view of the Johannesburg horizon, stretching across the city of gold one can admire the view from the suburban Sandton skyline to the Soweto FNB Stadium. Known to be the ultimate and most exclusive rooftop venue in town, it's majestic views captivate the heart and calm the soul, promising to be the end to end breathtaking experience.

In a cloud we will dance and celebrate this season with some of Johannesburg's finest acts accompanied by neighbours and friends from across the land. 

We welcome and thank Serbian Dj Milan K, Soul Candi's Clive Bean and Just Move Records' Mig Madiq for joining us for what looks to be a heart warming experience. 

They will be joined by...

Weston & Engine
aWave and Mr Sam (Live)
Dustin V (Durban)
Jaime D (Waveform Pro)
Prince Mhlongo
Llewelyn Lundall (Boom Brotherz)
Marc Walsh (Pulse Djs Vibe)

Damage: 

R100
R70 tickets available on Pulseradio.net 

www.pulseradio.net

Listen to Pulse Radio 

 

LIndstrom

Secretsundaze 2013

Kanye West Kicks Out Fan For “Heckling”

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At a recent show in San Antonio, Texas, the ever-controversial Kanye West kicked out a fan for “heckling.” The outspoken hip-hop artist, who is continuously called out for his behavior, was trying to explain himself to the crowd as a somewhat intoxicated girl yells at him to “take your fucking mask off.” West is oviously not pleased and very publicly orders security to remove the girl from the audience. His explanation? “Do I look like a mother fucking comedian? Don’t fucking heckle me. I’m Kanye mother fucking West! I’m dead fucking serious!”  Relive the nonsense below.

Listen to Kanye West

Santé: 'It’s so inspiring going to the UK'

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Eclectic, German born DJ and producer, Santé, has emerged in a market of new wave producers with a different take on house by lacing his music with the essence of his character and charisma. After having released several prominent tracks on various different labels, Santé started his own label, ‘Avotre,’ which he describes as “a collective to combine things.” This represents his free spirit attitude, which is apparent through his music and vision for Avotre. In this interview, Santé speaks to us about his alternating decisions when it comes to labels, tracks and software before headlining Rhythmatic in London. Tickets here.

At what point did you realise you wanted to create your own label, ‘Avotre,’ and why? I worked with Tiefschwarz on Souvenir for 5 years in the studio. At one point, it made sense to me to be independent and be my own boss even if I was self-employed, or an artist. But I wanted to be really independent, music-wise, and I wanted to combine all my other friends who are not in the music business to build a platform to do fashion and things. Next year we are going to build a skateboard for all my old skate friends, and this is what I am going to plan with Avotre. It’s more than just a music label it’s a platform, a collective to combine things and combine all my friends in art, fashion, music and all the lifestyle things I’ve been into since I was 15-16 years old. I just wanted to combine under one platform, and this is the only reason I established Avotre - to do things like this, to bring all my friends together and do something together. When we do the skateboard, part of it will be part of the artwork from some of our music covers. It’s a platform to be creative.

How hard was it to create your own label? It didn’t take too long, because all my ideas grew over the years. It was just finding the logo and from then on it went really fast.

You’ve been on an abundance of different labels. Why did you choose to release music through so many? That’s a funny question actually. I don’t know. Maybe it’s about being independent, as well I don’t want to be known as an artist with a particular sound. Music for me, when I go to the studio, it’s the mood which produces the track or which direction the track goes. If it’s a deeper track, it was a tough weekend or maybe the weather was as grey as today, so it would not be the happiest peak time music coming out on those days. When the music is going, I look for the right labels that fit perfect for the release.

Not to play favourites here, but which label (not including Avotre) do you feel has been the most helpful to you? It’s difficult because there was always a period or a moment, but I think the three that changed or helped with a lot was one of my first releases which was on Rekids, which was not famous because it was one of my first releases ever, but for me it was a breakthrough. Then of course Souvenir gave me the opportunity to do whatever I wanted to do, and nowadays Desolat really helped a lot. And also Coccoon for more techno stuff.

How many people have you signed to Avotre and what do you look for when signing? Actually, at the moment, in the inner circle its Anna Wall, Sidney Charles and me. We just signed Darlyn Vlys, who is from Paris and is a really nice guy. When I’m looking to sign a person, it’s not only the music; it’s if he is a friend of ours as well. When someone is signed to Avotre, we are going to invite them to all the label parties. When someone is releasing music on Avotre, he should be part of the crew and have a super nice time together. This is what it’s all about for me. Just the moment, sharing time with your friends and having a really good time. So this is really important for me to give the people or the artist something back. If I have the chance to be signed a residency with Watergate in Berlin, and have a chance to invite my friends and have a good night with them, it’s the best I can give back.

How do you find holding a relationship with your friends, family and partner when you are on tour? It depends. On the weekend, it’s not difficult because its only three days, but if you go on tours, like down under or South America then its maybe two or three, or even four weeks in a row. Then it’s really difficult to not see someone face to face, so it’s a lot of effort after to contact and keep the relationship going. You can be friends for ages but sometimes you need to see each other face to face.

You released an educational short on using Ableton Live. What other software do you use? Actually, I was not so familiar with Ableton, honestly, when we did this workshop. They asked me if I could show how I did the record on Desolat, and I said yes, but I made it on Logic and they asked, “Could you transfer this to Ableton?” This was the beginning when I moved or switched platforms because I was always using Apple’s Logic, but I’m really happy I did it because it opened a lot of things for other music. In the past, for song writing or movie trailers, which I grew up with, Ableton is not as useful as Logic. But for electronic music it can be really inspiring to create something totally new.

Do you find Ableton or Logic easier to use? For beginners, Ableton is the best to get on and scratch down some ideas - it’s perfect for beginners actually. But, if you are going to all the nerd talk and sound quality and stuff like that, I would still say Logic is better, but it depends. At the end for me, it’s the idea of the track and not at all the sound quality. If there isn’t a cool theme in it or vocals or a sample which catches me, it doesn’t matter how good it sounds.

You have your own studio. What brands of equipment have you filled it out with? Actually, 5 years ago I had a lot more stuff in the studio, but I got robbed one day, so they broke into my studio and I lost a lot of my stuff. I was not insured back in the day because it was too expensive. This was a huge gap in my equipment list. Now I have a couple of synthesizers, a few drum machines, only two outboard compressors, because if not the outboard chain is really high end, and it doesn’t make sense to buy only one EQ if you don’t have the perfect sound cup or AD conversion to go back in Ableton. I think at the moment it’s a cool production studio but not a big studio for rentals or other artists.

Where do you read about new software and products? At the airport I buy a lot of magazines. I’m a bit nerdy, not to need the stuff but nerdy to know what is new, so then I decide if I need it or not. I don’t need the newest software because it doesn’t matter to me, but if there’s some new synthesizers or emulation, sound-wise I’m really interested in trying them out. There are ones called Recording magazine and Keys magazine, just some geeky and really techy magazines and I also like Debug because they have some nice advice in their tech division and then of course on the internet.”

You started producing your own music at 15, how do you think your production has changed over the years? It’s totally changed because when I started music, I started by buying a guitar and also an MPC sampler, and the sampler came really late at 18 or something like that. I always wanted to play guitar, and a friend of mine was working at a record store and I was always with him. He was totally into the house and techno music. He really introduced me into techno, and from then on I could be so much more creative doing electronic music than being stuck in some harmonies. I was fascinated, and needed to have a sampler and start doing my own music. After finishing school I actually wanted study guitar here in Berlin, but I failed the exam for university, so I started looking for an internship here, and I luckily got employed in a big studio in Berlin for commercial song writing and jingles. I was with them for over 6 years employed as a composer; this was actually my start in the music industry.

Which country do you feel has been most receptive to your music? The UK. It’s a known scene in the UK, but I think Germany, especially Berlin, is too overrated with it’s techno. It’s so inspiring going to the [UK] and there are so many good artists who inspire me like Dense and Pika, Dusky, all of those guys. [They are] doing so much great music and it’s really inspiring to me.

In Berlin, the nightclubs there are open very late, where as in the UK, 6am is pushing it. What do you prefer? 6am is not long for Germans, but I really like it because in the morning if you spent the whole night there you are totally into it. I remember when I was in Berlin for the first time when I was 18 and went to Ostgut, which was the old Panorama Bar, and I spent 16 hours there. I really lost time. It was something amazing because where’s the time gone? You’ve been totally into the music and inspired so much. It should not be strictly ending at 6am. If there is the possibility and permission from the neighbours, the club can be open until noon. In the morning hours, something totally changes, the crowd is different, the people are different, there are really good guys, obviously some are wasted. But, if you are wasted on your own and listen to music, you listen totally differently to the music and this gives the DJ the opportunity to play some experimental tunes and try something out which is not possible as a warm-up or peak time DJ. After hours or morning sets could be really special for these reasons.


Going out is quite different in Germany. I went to a techno club in Berlin and I think smoking indoors is illegal but everyone was doing it. Only in Berlin. It’s like the little island, which has no rules and is still a bit independent. I’ve lived here for almost 11 years - and it’s changing. You can feel the change, which is not bad in some ways because everyone wants to come here and be part of it, which is super interesting. You can meet a lot of people from different countries. But, it will change in the future, if it wants to be a metropolis like Paris or even London, then something has to change here. Politics and government is changing right now, so we will see how long it will last. I say 5 years, and then it will be stricter here as well.

You have an album in the works that’s due to be released next year; can you elaborate a bit on this? There will be a lot of vocal features on it. It goes from house to techno, and also some other songs and more song writing. It depends where we are going to sign it because I’m not sure at the moment. We have some opportunities but it’s not 100% sure. Then we’ll see at the end how we compile all those songs and what made it onto the album or not. It’s not an album you can play at peak time in the club music. It’s got a lot of vocals, features and musical elements on it.

Did you collaborate with anyone on it? Every tune is my own but maybe one with Dennis Ferrer; I worked with him, but I’m not sure if this is going to make it on the album. It’s going to be released next year anyway. I met with Dennis last August in New York for 5 days and we made an amazing tune together, so this is one of the collaborations for next year.

So when next year can we expect this to be released? I can’t say much about it. I would love to release it really early next year, but it doesn’t make sense because we need time for promo and stuff like that, so I hope, fingers crossed, summer.”

Sante plays alongside Anna Wall and Matteo Manzini on Dec 13th for Rhythmatic. Tickets and info here.

Listen to Santé on Pulse Radio. 

DJ Sneak: 'I Was Hallucinating Angels'

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Following the scandal of the'fake interpreter' at the Mandela funeral it appears that Thamsanqa Jantjie wasn't the only one to have momentarily lost control....

The man accused of upsetting Liverpool for more than three consecutive hours on Twitter this week said he was hallucinating and that he suffers from schizophrenia.

In an interview Pulse, DJ Sneak said he saw angels entering his Twitter feed on Monday. He added that in the past, his schizophrenia has led him to violent actions.

Sneak gesticulated emphatically during the tweets of Josh Butler and other Liverpudlians, seemingly translating their words into a torrent of abuse for the Liverpool people. Following the incident, however, reports surfaced that Sneak was not translating accurately at all.

"What happened that day, I see angels come to the twitter feed ... I start realizing that the problem is here," Sneak told Pulse "And the problem, I don't know the attack of this problem, how will it comes. Sometimes I react violent on that place. Sometimes I will see things that chase me."

Sneak added that he wasn't quite sure how to deal with the problem once it started because of the magnitude of the situation. "I was in a very difficult position," he said. "And remember those people, the Scousers were witty. If I start panicking I'll start being a problem.
I have to deal with this in a manner so that I mustn't embarrass my country.

Circus' booker said hiring Sneak was a mistake and that country's government has not been able to contact the owners of the company that provided the booking. During a news conference, she said that they had "vanished into thin air."

Sneak told Pulse he has successfully commented on events in the past and that he was paid $85 for the Circus gig. Pulse found no trace of a booking agency at the address and phone number Sneak provided.

On the day of the twitter outburst, Sneak was due for a biannual mental health checkup during which doctors would assess the effectiveness of his medication and decide whether or not he needed to stay in a mental health facility, according to Sneaks comments to the Pulse.

Listen to Pulse Radio.

Disclamer: This is satire, and not to be taken as fact. We all have to have fun once in a while. 

(For original article visit Mashable here.

 


Catch Adriatique & Bob Moses at The Cityfox Den in NYC

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On Saturday, December 14th, Cityfox and listed present a new experience, The Cityfox Den, a series of underground pop-up clubs. The event at a secret location in Brooklyn will feature some of Cityfox and listed’s biggest names as well as special guests, all together creating a memorable experience in a carefully designed multi-room setting with an increasingly signature KV2 Audio 3D surround sound system, visual art by Dario DeSiena, and light art by Mark Slee.


FOX-Mas, the inaugural Cityfox Den party, will bring Zurich DJ duo Adriatique fresh off their well-received Pulse Radio podcast and a stellar year, as well as New York based duo Bob Moses live, hot off the heels of their ‘Far From The Tree’ EP. All Day I Dream West Coast resident Hoj, listed veteran Naveen G, BLKMarket’s Taimur & Fahad, Dejan, Dory, Mark Slee, and Rino will also play at the event, providing a soundtrack into the early morning hours.

Listen to Adriatique on Pulse Radio

Boiler Room Releases iOS & Android Apps

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Today, Boiler Room announced via Twitter that it has released an app for both iOS and Android phones. The current version of the app allows users to hear audio of recorded sets, and developers say that the ability to stream Boiler Room sets live will be added soon. The homepage of the app shows a feed of recent sets, which users can customize by following their favorite artists. By going on an artist’s profile, you can see links to their social media pages as well as a list of their sets.

Sets are also organized into channels such as location, genre, and Red Bull Music Academy for easy browsing. The app makes it possible to download sets for in-app offline listening.  Check out screenshots of the app below!

Download the iOS app here and the Android app here.

Listen to Pulse Radio

Listed: Not Your Ordinary List

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On your way out of a Listed event it’s not uncommon to hear, “Of course it was a great time, it’s a Listed party.” What makes people head to Listed events time and time again? To answer this we took Gunita Nagpaul & Simar Singh, the heart of Listed, for a walk through the park. We chatted about the past and how they got to where they are, where they see themselves in the future, and what we can expect from them in 2014.

What is Listed? Who is at the creative core? Gunita: Listed is a lifestyle brand in dance music. We strive to make quality dance music accessible to people and create memorable experiences and a community around the shared appreciation of music through events. I would say we are best known for our parties. We've done events for a long time in SF, now the Cityfox events in NYC, but also at BPM, Love Parade, Movement and WMC in Miami, the Freaky Tikki being a favorite.

In addition to featuring world-renowned talent in house, tech-house and techno, we strive to create a warm and intimate vibe so that the guests become as important as the headliner. And again, the fundamental key is that the experience is memorable. We have a small, cultivated roster of residents and artists who are at home playing any Listed productions event and we also run a booking agency, which has taken a life of its own, with artists that we really believe in and reflect our values and aesthetic. Ultimately, the mission is to be boutique, quality events over quantity, where every event features a lot of creative ideas for production, concepts, marketing. But, I could not have done this all by myself. I have had many talented contributors that have helped shape, enhance, and grow the brand along the way, and it's been a great journey.

Simar: Whenever I think of Listed, I think of it as a collective with a mission that was put together by Gunita. She had a vision, is the greatest connector I've ever met, and brought together a group of people who share in her vision and drive it forward. On the productions side, Gunita is the creative lead, I work on operations and round out creativity, and we work closely on just about everything so those lines are pretty blurred. But, people who have worked on Listed in the past, like her former partner Jonathan Gavenda, were instrumental in creating what it is today. In addition, our very talented resident artists are also key members, reflect and define our sound, aesthetic, and values, and are very actively involved. They currently include Atish, Dory, Hoj, Mark Slee, Mike Khoury, Naveen G, and Nikita. I know the term "family" is frequently used to describe a closely knit group of friends, but it very accurately describes our crew (though Gunita and I are also first cousins, so I guess it's literally accurate there). In the music world and personally, we share many interests, opinions, can turn to one another for guidance, advice and help, rely on one another, we know each others' foibles and flaws and can sometimes drive each other nuts or be dramatic with one another, but at the end of the day, we're tied together. So while Gunita and I are pushing things forward on the production side by creating events and opening doors for our artists, it's such a dynamic and symbiotic relationship that Listed wouldn't exist as it does but for our artists as well as many other close friends who have joined us along the way. As Gunita said, it's about community first. And it's damn fun.

What is the story behind Listed? How did it come about and how did you become involved? Gunita: I would pretty much call myself an old school raver from the 90's as the dance music love affair started in university. After visiting San Francisco and spending a summer there, I found myself drawn to its energy and eventually relocated there for work. I found the thriving dance music scene there piqued my interest further, which led me to creating a list (more a blog) at the time that people subscribed to find out the happenings going on in the city. This then grew into me throwing parties and the next thing I knew I was producing a full blown event with Lee Burridge during Love Parade Weekend in San Francisco.

After throwing my first event, I became more motivated in my desire to continue to create these memorable experiences for people. The idea of developing the Listed brand further into something viable and of quality can be attributed to a combination of experiences I have had over the years. San Francisco's thriving scene and good vibes, the Burning Man Festival and also very specific artists such as Spesh, Scott Carrelli, Lee Burridge, Desyn Masiello and Danny Howells and too many more to count really got me inspired to delve further into dance music. The idea of being Listed and dance music go hand in hand so naming the brand Listed was somewhat perfect. Our idea of being "Listed" was not so exclusive but that anyone could be on our list if they chose to get Listed.

Simar: New Years 2009/10, I had a black tie wedding in the Upper East Side. However, Gunita convinced me come to Santos Party House afterwards where Lee Burridge and Mike Khoury were playing all night. So I showed up in a tuxedo, didn't really know anyone that well, and I remember walking into Dunkin Donuts at 7am asking myself "what the f*** just happened?" It was incredible. I'd gone to parties before, had attended Burning Man, but that was a seminal moment for me. I started going to more and more events, making friends, attending festivals, really getting into and learning the music, developing my own taste and aesthetic, and also closely observing and analyzing why some events were "better" than others, often engaging in long conversations with similarly minded over-analytical friends to break things down to understand. At the end of the day, Gunita's events were always my favorites and I could tell you exactly why. What she was doing intuitively, I was analyzing as a student while also coming up with my own ideas, and I really wanted to help push her vision forward. I am formerly a corporate lawyer but quit in August 2011 to launch my own venture. She'd been staying with me for a bit and I was already giving her my thoughts and helping hand - we had a conversation and I formally came aboard to be her partner.

When people think of the Listed brand, what do you want people to think about? Gunita: The idea is that a Listed event is an event they don't want to miss, no matter the destination - quality, consistency in quality, and that we strive to create something epic or even legendary. If people don't walk away thinking it was amazing, we haven't done our job. I think we've demonstrated this at Tikki and the Victor Hotel Parties in Miami, VAS events in Chicago, Love Parade Floats and events at the Compound and Endup, Parties with Lee Burridge aka LoveLee and Get Weird, PLAY Monthly Parties, and collaborations with BPM in Mexico and Circoloco in Detroit.

Simar: What Gunita said. Everything has to be quality and top notch, or we're not going to do it. When I came aboard, I pushed to explore certain opportunities, but Gunita resisted without too much an explanation that made any sense to me (that still happens sometimes). It was annoying, but I realized later it's a question of never settling - she'd rather not do something at all than something that doesn't meet the standards that's defined the Listed brand, and we're now generally on the same page. If you could see the sheer number of emails or texts that we exchange over every last detail for an event, it's ridiculous, but that’s what makes Listed what it is.

Your home base is out of San Francisco, for those who haven’t had the chance to check out your events out there, what do you feel makes it unique? Gunita: The West Coast and in particular the San Francisco vibe in general lend to our events being quite unique and diverse. People just get into it there and lack much of the boundaries you find elsewhere in the states. General openness of the culture, liberal ideas permeating and the Bay Area being an epicenter for innovation and technology, I think just allows for more interesting parties and events.

Simar: I'm relatively new to this and don't spend too much time out west, but having attended a bunch of events in SF and NYC the last few years, it makes perfect sense that Listed was born and bred out of SF (and Burning Man, I'm surprised Gunita hasn't mentioned that). I think SF events, including Listed events, reflect the community there, which seems so closely knit while still being so varied, and ultimately quirky. I think Listed events in SF apply our values within that really unique music community, and they're a ton of fun.

You have been working closely with Zurich’s Cityfox, how did this come about? How do you feel it has been working out? Gunita: We have a bit of history of throwing parties at WMC in Miami for about 7 years and we always tried to highlight labels and artists we thought were a bit more underground and cutting edge. We decided in 2011 to showcase the Cityfox label at one of our Miami showcases along with the Diynamic imprint hence starting the beginning our relationship with the label.

The partnership has been a learning experience but I think we can agree has been nothing short of amazing because we are on the same page. We both agree on how important the experience is for the guests and the overall quality of the event. We also realized that this type of collaboration might not reap financial success right now but through hard work and team effort that the reward will eventually come.

Simar: Ah, Cityfox. I first got a real sense of their sound when they played for BLK|Market in the spring of 2011, and when we were deciding what label to feature at BPM in January 2012. They were my first choice, Gunita agreed, and we made it happen. From there, they wanted to do big things in NYC, conversations happened (at Burning Man? hard to remember) and more than anything, it was a meeting of the minds. As Gunita mentioned, we share the same values, primarily being driven by creating truly incredible experiences for the audience, thinking long term to build something amazing, and the Listed and Cityfox sounds go hand in hand. I have so much respect for those guys; I often refer to Billy, their creative head, as a "mad genius" and I love working closely with Ben, Martin, Philipp and the experts they bring over for events. Everyone associated with them is just quality and total professionals, which is kind of rare. Also, our expertise and roles really compliment each other. While everything overlaps a bit, they're brilliant on the production, creative and logistical sides, and we mainly focus on brand strategy and voice, promotion and communication. Our first event in November 2012 is still my favorite, the culmination of months of work, and we somehow pulled off not only creating an incredible production but drawing in over 1,500 people to join the fun, this when neither of us were really well known or established in NYC. We really look forward to continuing to work together and building events that are even more amazing.

Aside from San Francisco, you have been throwing parties mainly in America; do you have any plans to bring your brand into more international markets? Gunita: We have thought quite a bit about this - bringing our parties to different festivals as well as hosting them outside of the states and Mexico. To be quite honest, I enjoy what we have going on in North America and am quite content to continue to expand upon our great scene!

Simar: There's so much to do here I haven't even given it a thought.

As you look to take your brand & artists into the future, what's the growth strategy you're employing? Are you looking to introduce any new talent into the Listed family? Gunita: We are looking to expand the bookings portion of our business in North America and it is so important that the artists you showcase and take on to your roster are artists you truly believe in. I myself find it very hard to sell an artist that I don't fully get excited about. The amount of energy and efforts it takes to build artists up is a process in the states so it is super important that whomever we take on we know has that talent but is also hungry and excited to play this market.

Simar: We always keep an eye out for talent. Outside of the bookings roster, introducing talent within the Listed family, our collective, is something that just happens organically.

How about a Listed imprint? You are filled with some extremely talented artists, any thoughts on expanding operations outside of events & bookings? Gunita: A label imprint has always been in the back of our minds, and even a fashion/clothing line. We are not quite there yet as that requires good amount of planning and resources, but again the idea of growing Listed beyond what we currently are defined as is definitely possibility.

Simar: I can't believe I'm actually typing these words, but to quote Gunita, "if it's meant to be it will be." I qualify that only with - it's hard for us to focus on that right now as we have our hands pretty full at the moment, but are always looking at possibilities and opportunities, and who knows what can happen tomorrow.

What can we expect from you in the first half of 2014, any parties or events that are exciting you? Gunita: We just celebrated the one Year Anniversary of our PLAY party, which is a concept we recently developed with SO & SO creative group (who also created the look and feel for the All Day I Dream brand). The event is thrown at the legendary Endup Club but we expect more PLAY parties to be happening in the future beyond just SF. We are starting our year by hosting our annual showcase at the BPM festival on January 9th and look forward to another year of throwing events in Miami during WMC along with continuing to work with Cityfox on more events though out the year.

Simar: In addition to continuing what we've worked on for years, as Gunita has mentioned, I'm really looking forward to creating more amazing events with the Cityfox crew in NYC (2014 will be good) and working with an awesome collective of people to continue pushing things forward.

Photos courtesy of BSK Photo, Cheyenne Bosco, Dean T McColl & Richard Henry Thomas

Listen to Listed on Pulse Radio

SoundPark Radio: Listed feat. Dory & 8 Channels

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Pulse Radio is happy to be running SoundPark Radio, a weekly radio show that focuses on a combination of great music and the people behind the scenes who make it all happen, “bridging the minds that create the vibe we all love and the smiling faces enjoying it.” Every Friday, the show will explore multiple aspects of the industry, featuring record labels, production agencies, management/booking agencies, venues, and artists.

Dory rocks the dance floor, no matter the continent: from Pacha in London, to the South Pacific; from BPM in Mexico, to listed's Freaky Tikki in Miami; from European clubs, to the Robot Heart Bot cruising the dusts of Burning Man. Recognized by Desyn Masielo as having mixed one of the "best sets he has ever heard," Dory was selected as a member of his Faciendo collective. Her intelligent blend of groovy house, techno and minimal is really something to check out and really listen for yourself. If you haven't had the pleasure of hearing Dory move a floor yet you have really been missing out. Thankfully SoundPark is here to help. Over the next hour Dory blows the doors off the SoundPark Beatlab with a proper set fusing gorgeous melodies and rumbling sounds together. This is Dory live from Output in Brooklyn NY.

 

8 Channels is about sound scape techno, a fusion that pairs synthesizer soul with dubby elements and tracky grooves. As an alias of Jay Tripwire- this is his exploration into Techno Soul and the project has received accolades for its creativity and forward thinking sound. What is an 8 channels live show all about? Live production elements using some magical hardware. This project is absolutely no joke. Here is a list of some of the crazy gear used to make this magic happen: Logic X, Novation Nova, Theremin, TB 303, 16 channel Trident mixing board, Yamaha dx 100, Minimoog, and a Juno 106. If this doesn't resonate with you don't worry, go look up any of the hardware and we promise that it will all be put into context for you. This is techno for the soul.

 

 

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Listen: Paul Woolford B2B With James Zabiela For Essential Mix 20th Birthday

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BBC Radio 1's long running Essential Mix program continued its 20th birthday celebrations over the weekend, broadcasting more live recorded sets from Manchester's Warehouse Project. The first set came from drum 'n' bass outfit Rudimental, followed by the canny pairing of James Zabiela and Paul Woolford, who went B2B for an hour at the party back in November. You can listen to the latter set below. Enjoy!

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The Year Of Beni

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Despite a hectic year including tours all across Australia and South-East Asia, Australia'sBenihas also kept busy in the studio, recently releasing his latest EP, ‘Love on the Run/Summer’s Gone’. Things don’t look like they’re going to be slowing down in 2014 either, with the Modular artist gearing up for his biggest year to date via a series of EPs, a new full length record and a special collaboration with Kim Moyes of The Presets. In the weeks leading up to his Pulse Podcast (which you can stream and download below), we caught up with Beni to find out about it all.

[Download here]

Pulse: First up, very exciting news, you’re going to be doing a podcast for us for December! Can you give us a hint as to what or who we might be hearing on it? Beni: I actually haven’t done it yet. At the moment I think I’m going to include some of my new music, I’ll probably put some older stuff in there as well, music from promos I’ve been sent and people that I’m really liking at the moment. It’ll be good, I’ll make sure of that!

You also recently did another mini-mix for the new Australian festival The Plot. How do you feel about playing at the inaugural festival? Yeah it should be really great. There are lots of great artists playing and I think we’ve got a whole club mod stage which should be really good as well.

Your touring schedule this year has been pretty crazy! You’ve got New Years Eve off though, any plans? It’s been intense, but it’s always fun touring. I’ve got a show on New Years Day so probably not a lot. My girlfriend is DJing so I’m just going to go and watch her and relax for a bit.

It looks like it’s all going to settle down for a bit in January, have you got any plans for after you stop touring? I’ve got my next EP coming out in February so I’ll just be doing stuff for that

Are you able to write while you’re traveling? It seems as though artists are kind of on one side or the other on this one. Yeah, I can write while I’m touring. That’s when you come up with ideas and things, when you’re on airplanes and in hotel rooms. It’s a good place to start things off and then take to the studio and refine and edit from there.

Your latest EP ‘Love on the Run/Summer’s Gone’ was just released at the end of November, what was it like recording this one compared to your last record? It was definitely different. I think the reception is better to shorter releases more regularly, than say, a few records every couple of years. I’m going to be releasing a new EP every four months for the next year. It keeps people interested.

Beni

You recorded your debut album in New York, how was recording your new EP different to last time? We recorded the EP here in Sydney, in Kim [Moyes] studio in Annandale. It was much easier. The album obviously took a lot longer. This time around we decided it would just be easier to stay here and fly the vocalist on the tracks out for a couple of weeks. It was good, just very different.

Will we see another LP again anytime soon? Yeah at the end of next year I’m going to combine all the EPs as well as some new tracks to make a longer record.

You mentioned working with Kim Moyes before, and you also played a winter tour with him this year. You guys seem to work really well together, can we expect a collaboration from you two at all in the new year? You can definitely expect some music from us soon.

The video for 'Love on the Run' is pretty trippy! It was created by Ego who’s one of a few DJs in Australia who are pioneering the whole idea of AV/DJing and video DJing, is that an area that interests you or do you think that’s something you’ll ever get involved in? I definitely think that’s where DJing is heading. It makes more sense, now that most producers are relying more on their computers, it’s the next step in live performance. It’s like a whole step up from just mixing music to intertwining and co-coordinating it with a live display.

Sticking to aesthetics, the new artwork for you EP is also really unique. Is there any story behind that?
Not really. The artist who did it Hattie Stewart is really great and I’ve always been a big fan of her work so I asked her to do some stuff for the new EP and yeah it just came about from that. She’s going to do all the artwork for the rest of the EPs as well.

Beni - Pulse.155 Tracklist
1. Groove Armada - Oh Tweak To Me
2. Shakedown - At Night (Mousse T Feel Much Better Mix)
3. Light Year - What To Do
4. Cajmere - Chit Chat (Clubhouse Remix)
5. Dusky - Careless
6. Groove Armada & Brodanse - Sweat Feat Cari Golden
7. Beni - Last Night (Oliver $ Remix)
8. Flasmob - Hot
9. Harvard Bass - Thoughts
10. Cajmere - Percolator (Keep Movin' Mix)
11. Beni - Love On The Run (L-Vis 1990 Remix)

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Marquee Sydney NYE Double Pass Giveaway

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This NYE Marquee Sydney is the place to be, with three big names set to rock the dancefloor and see in 2014 in style; Grammy-nominated US DJ Morgan Page, #1 Aussie duo the Stafford Brothers and notorious international party boy Ray J.

We have a double pass to giveaway to the party thanks to the good folk at Marquee. That's right, you and a friend could be partying away the end of 2013 at one of the city's premier night spots - $300 worth of value for FREE! Each ticket includes:

- Free club entry
- Complimentary 2 hour beverage package
- Champagne toast at midnight

To be in the running simply enter the competition below. The winner will be notified this Friday December 20th. Good luck!

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Watch: Musica Copa 2013 After Movie

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On December 5th the dance music industry took to the football field in Marrickville to battle it out in the inaugural Musica Copa charity soccer match. It was a fantastic day of action, which saw yours truly Pulse Radio make it to the quarter-finals where we were knocked out by the fellas at Future Classic. The grand final saw Sweat It Out beat the Stereosonic team with a 7-3 win to claim the coveted Musica Copa trophy.

You can check out all the on and off field action that went down in the official after movie below. Big thanks to Paul Stix of Modular and Martin Novosel of Musica Copa for putting together a sterling event. Here's to 2014!

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Will Saul Adds Melbourne & Perth Shows To Australian Visit

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In addition to his gigs for Agwa Yacht Club 18 and Lost & Found NYE in Sydney this month, Simple Records head honcho Will Saul has added two more gigs to his Australian visit, playing Carousel in Melbourne on New Years Day the Social Experiment party at Courtyard in Perth on Sunday 5th January.

Saul launched the Simple imprint in 2003 which has grown to become one of the most respected labels in electronic music, with an emphasis on quality and a release history that favours no one genre or sound. Sister label AUS Music followed in 2006 with a focus on the new UK house and bass sounds from artists such as Joy Orbison, Ramadanman and Appleblim. The guy's no slouch at DJing either, just as his entry into the Balance series and recent Essential Mix proved.

Most recently, Saul has been busy with his new CLOSE project which has given birth to this year's LP 'Closer' - a home-listening focused effort that flirts with pop and soul with a modern dance music undercurrent. You can read our recent interview with Saul about the project here.

Will Saul Tour Dates
21.12.13 - Agwa Yacht Club 018, The Starship, Sydney
31.12.13 - Lost & Found, Ivy, Sydney
01.01.14 - Carousel, Melbourne
05.01.14 - Social Experiment, The Court, Perth

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DJ Pauly D & Paris Hilton Collaborate On Massive EDM Anthem 'Our Swag'?

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Have two of dance music's titans, DJ Pauly 'Jersey Shore' D and Paris Hilton, teamed up for one of the biggest EDM anthems of the summer? Or is this the best troll we've witnessed since our very own April Fool's joke?

OK it's clearly a troll, though as one of our staff pointed out, even if these two did legitimately get together to produce a track, it would probably still sound as bad as this.

Ladies and gents, behold the feel good dancefloor burner of the year, 'Our Swag'. Listen out for the Avicii sample.

A release date has not yet been confirmed.

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Meet Bristol's 80-Year-Old Clubber

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While some may see their golden years as a time to pack it all in and relax, maybe taking up golf or shuffleboard along the way, this 80-year-old is doing no such thing.

As first reported by the Bristol Post, Chris was first discovered by Alex Hughes-Games, a Bristol University student, when he snapped his pic as part of a photography competition. Before taking the photo, Alex interviewed the evergreen club goer, finding out that Chris had a penchant for visiting certain Bristol clubs, including Mr. Wolf's and The Syndicate

Though he may get some funny looks, once getting confronted by a younger patron who accused him of being a "spy," he insists, "I just like the music. I just happen to be young orientated.”

Keep partying, Chris. 

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2013 Highlights: Scott Bleepz

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As the year draws to a close, it's natural to reflect, especially when it's been as interesting as 2013 has. Underground has become mainstream, mainstream has become pop, and while many fight over the meaning of terms like EDM and deep house, others push stoically forward, undeterred by major trends, continuing to do what they do best. So we've called upon a few of those in the later category to tell us what's kept them excited through these last 11 months. This time, Scott Bleepz, co-founder of FACE at The Rainbow.

Since October 2009, FACE has stablished itself as one of the UK's finest underground weekly Saturday events, with guests that including Heidi, Davide Squillace and George Fitzgerald, just to name a few. So we asked co-founder Scott Bleepz about some of his highlights from the past year.

 

- Favourite DJ/Artist/Person Of The Year
We have had so many artists play and all have been fantastic, so it's hard to choose a few that stood out, but I guess the likes of Apollonia, Cajmere, Heidi & East End Dubs were particular favourites for us.

- Trend Of The Year or Saying Of The Year
It's no secret that shuffling has been the biggest trend on the dance floor this year, but thankfully we've managed to swerve this acquired dance move at The Rainbow and people seems to have left their shuffling at the door!

- Event Of The Year
The Rainbow having a pod at the Red Bull Revolutions in Sound event on the London Eye. Amazing!

- Overall Highlight
Our continued success in putting on a consistently reliable & well respected underground weekly event, during a time when there are so many more events popping up in the city. We work hard and it's good to see us still progressing on with strength and favour from so many people around us. This makes us very happy.

The Rainbow Venues in Birmingham will be hosting a very exciting whole-complex NYE show, celebrating several favourite club brands including FACE, 10.31, Seedy Sonics, plus many more. Expect special sets from artists including No Artificial Colours, Marcus Nasty and LFM, as well as street closures, entertainers, food stalls, and a whole lot more. Tickets start from £20. For more information visit therainbowvenues.com

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